Design Within Reach Furniture

Frosted glass Luciano Bertoncini for Design Within Reach Min rectangular dining table with powder-coated steel frame. For our oversize Art & Home items such as Furniture and Area Rugs, we provide a White Glove delivery service which includes in-room delivery, assembly and removal of packing materials. Our deliveries typically take 4 to 6 weeks from the time the order is placed.

Ebony Vienna leather Jeffrey Bernett and Nicholas Dodziuk for Design Within Reach Reid armchair. For our oversize Art & Home items such as Furniture and Area Rugs, we provide a White Glove delivery service which includes in-room delivery, assembly and removal of packing materials. Our deliveries typically take 4 to 6 weeks from the time the order is placed.

Pair of oak Design Within Reach Matera side tables featuring beveled edges, exposed-slot mortise-and-tenon corner joints and slotted bases. For our oversize Art & Home items such as Furniture and Area Rugs, we provide a White Glove delivery service which includes in-room delivery, assembly and removal of packing materials. Our deliveries typically take 4 to 6 weeks from the time the order is placed.

Walnut Jens Risom for Design Within Reach Jens armchair with cocoa broad weave upholstered cushion and backsplat and brand stamp at underside. For our oversize Art & Home items such as Furniture and Area Rugs, we provide a White Glove delivery service which includes in-room delivery, assembly and removal of packing materials. Our deliveries typically take 4 to 6 weeks from the time the order is placed.

Pair of charcoal Niels Bendtsen for Design Within Reach 'Brix' two drawer bedside tables with push-latch glides, high-density wood composite panels, European birch plywood drawers, steel-reinforced top panels and steel platform base with leveling glides. For our oversize Art & Home items such as Furniture and Area Rugs, we provide a White Glove delivery service which includes in-room delivery, assembly and removal of packing materials. Our deliveries typically take 4 to 6 weeks from the time the order is placed.

Son and pupil of architect P.V. Jensen Klint, best known as the designer of Grundtvigs Church in Copenhagen, Kaare Klint went on to become known as one of the forefathers of modern Danish furniture design. In 1924, he founded the department of furniture design at the Royal Danish Academy of Fine Arts, which shaped future furniture designers such as Poul Kjærholm and Børge Mogensen. Through his work, he defined the fundamental traits of Danish modern furniture: clean lines, fine materials and exceptional craftsmanship. Klint based his furniture designs on functional principles and careful analyses of human proportions. His Safari Chair and Footrest (1933) take their design cues from the light, portable camp chairs used by English officers. Remarkably, Safari can be easily assembled and disassembled entirely without tools, and this knockdown capability has made it a modern classic. Made in Denmark. Materials: Solid ash frame with smoked oil finish; canvas or leather seat; adjustable leather straps. Measurements:H 31.5" W 22.5" D 22.5" Seat H 13.5" Arm H 22"

Defined by its dependable bentwood construction and simple, organic form, the graceful, lightweight and surprisingly strong Era Chair with Cane Seat (1859) has been in continuous production for more than 150 years. By making the back of the chair and rear legs from a single piece of curved wood, designer Michael Thonet, who perfected the bentwood process for chair-making, eliminated the need for expensive and time-consuming hand-carved joints. The Era Chair with Cane is suitable for residential and commercial use and remains a staple in cafes and restaurants around the globe. As with any natural material, slight variations in the texture and color of the wood are to be expected and are not defects. Made in the Czech Republic. Materials: Solid European beech wood from FSC-certified sources; caned seat; water-borne stain and varnish or lacquer finish; nylon floor glides. Measurements:H 33.25" W 16.25" D 20.5" Seat H 18.5"

Charles and Ray Eames believed "design is a method of action," and they continually updated their work as new materials became available. "The chair that Charles and Ray were designing," explains grandson Eames Demetrios, "is the chair that's made tomorrow ." The duo originally designed their molded chair in metal and entered it as a prototype in MoMA's 1948 International Competition for Low-Cost Furniture Design, then refashioned it in light yet strong fiberglass just two years later. In the 1980s, after determining fiberglass production was detrimental to the environment, Herman Miller ceased production to explore more sustainable options, eventually choosing recyclable polypropylene. The company never quite forgot about fiberglass, however, and it recently began researching greener production methods. The Eames Molded Fiberglass Chair (1950) is the end result, constructed using a cleaner process but true to the original with its beloved variegated surface. This reintroduced version comes in a range of reformulated semi-gloss color pigments that faithfully reproduce the vintage ones. Its deep seat pocket and waterfall edge keep you comfortable by reducing pressure on the backs of your thighs. The seat back is left unfinished to maintain a slightly rough natural texture for easier gripping with your hands. This is an authentic Eames product by Herman Miller. Made in U.S.A. DFSW stands for dining-height fiberglass side chair with wood base. Made of 99% recyclable materials and covered by Herman Miller's take-back program for environmentally sound recycling (should you ever wish to part with this chair). Materials: Fiberglass-reinforced plastic seat; maple, walnut, ebony-stained ash or white ash dowels; black or white powder-coated wire. The process for making shells and the nature of fiberglass mean that each shell is unique and can possess traits such as tiny cavities in the surface, small points of lighter or darker color, or faint circular shadows where base attaches to shell. Measurements:H 31.75" W 18.5" D 21" Seat H 17"

Jean Prouvé's EM Table (1950) exhibits a dynamic relationship between the base and tabletop, following in the footsteps of such iconic designs as the Parsons table, the Eames Round Table and Le Corbusier's glass-topped table. Made of sheet metal, each tapered leg is turned out and angled on a diagonal slant to distribute the downward flow of energy on the table, making an incredibly sturdy surface for working or dining. The tabletop is finished in smooth oak veneer and lends a warm counterpoint to the table's mechanical efficiency. Reproduced to exacting standards by Vitra. Made in Germany. Materials: Black lacquered metal legs and tubular cross brace; oak veneer tabletop. Measurements:H 28.5" W 79" D 35.5"

Charles and Ray Eames believed that design is a method of action, and they continually updated their work as new materials became available. Their Molded Plastic chairs were originally designed in metal and entered as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design. They then changed the material to fiberglass in 1950, and today the chairs are made of recyclable polypropylene. Charles was dissatisfied with the fiberglass, and it wasnt until after his death that the matte finish he desired was achieved, thanks to advances in materials. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The deep seat pocket and waterfall seat edge keep you comfortable by reducing pressure on the backs of thighs. This is an authentic chair by Herman Miller, Inc. Eames is a licensed trademark of Herman Miller. Made in U.S.A. DSW stands for dining height, side chair with wood base. Materials: Injection-molded batch-dyed recyclable polypropylene; walnut, maple, ebony-stained ash or white ash dowels; black or white powder-coated or chrome-plated steel base. Measurements:H 31.75" W 18" D 21" Seat H 17.25"

After refining their molded plastic chairs, Charles and Ray Eames began experimenting with making a chair from welded wire. To succeed, the Eameses had to figure out how to create a design with the strength they needed while keeping manufacturing costs as low as possible. Ultimately, they decided on using lighter-gauge wire doubled over into a rim that sandwiches heavier inner wire to form their Eames Wire Chair (1951), which won them their first American mechanical design patent. Its organic shape and airy silhouette are complemented by whats commonly referred to as an Eiffel base (because of its trademark shape). This is an authentic Eames product by Herman Miller. Commercial quality. Made in U.S.A. DKR.0 stands for dining height, K-wire shell, rod base, no seat pad. Materials: Chrome-plated steel; leveling floor glides. Measurements:H 32.75" W 19" D 21.25" Seat H 18.5"

Charles and Ray Eames believed that design is a method of action, and they continually updated their work as new materials became available. Their Molded Plastic chairs were originally designed in metal and entered as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design. They then changed the material to fiberglass in 1950, and today the chairs are made of recyclable polypropylene. Charles was dissatisfied with the fiberglass, and it wasnt until after his death that the matte finish he desired was achieved, thanks to advances in materials. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The deep seat pocket and waterfall seat edge keep you comfortable by reducing pressure on the backs of thighs. This is an authentic chair by Herman Miller, Inc. Eames is a licensed trademark of Herman Miller. Contract quality. Made in U.S.A. DSR stands for dining height, side chair, rod base. Commonly referred to as the Eiffel chair (because of the shape of the base). Materials: Injection-molded batch-dyed recyclable polypropylene; black or white powder-coated or chrome-plated steel base; leveling floor glides. Measurements:H 31.5" W 18" D 21.5" Seat H 17.5"

The Series 7 Chair (1955) debuted in Sweden at the Helsingborg exhibition of 1955, or H55. One of the most copied chairs of the modern era, it features an ideal shape for the human form, with a back that offers just the right amount of give to keep your upper body comfortable and a waterfall seat that supports your legs without pressing into them. Arne Jacobsen, instilled with a love of materials, shaped the core of Danish design identity with this chair by forming it from one piece of plywood that he cleverly narrowed in the middle to accommodate three different bends. Once painstakingly made by hand, Series 7 is now crafted using automation methods borrowed from the German car industry and monitored by a team that ensures every single chair is perfect. Suitable for commercial use. Stacks six high. This is the authentic Series 7 Chair by Republic of Fritz Hansen. Made in Denmark. Colored ash is a durable stain that keeps the wood grain visible, making each chair unique. Lacquered veneer is a glossy finish with no visible wood grain, making chairs uniform. Natural veneer also keeps the wood grain visible, making each chair unique. Choice is a special edition that features legs electroplated with 22-karat rose gold. Materials: Pressure-molded sliced veneer shell with outer layer in lazur-painted ash veneer, lacquered ash veneer or natural wood veneer; tubular steel frame with chrome- or gold-plated finish. Measurements:H 31" W 20.5" D 20" Seat H 18.3"

With his iconic seating collection, Harry Bertoia transformed industrial wire rods into a new furniture form. The events that made this work possible began a decade earlier at Cranbrook Academy of Art, when Bertoia met Florence Knoll (then Florence Schust). Years later, the Italian-born designer was invited to work for Florence and her husband, Hans Knoll. Bertoia was given the freedom to work on whatever suited him, without being held to a strict design agenda, and the result of this arrangement was the Bertoia Seating Collection (1952). Featuring a delicate filigreed appearance thats supremely strong, these airy seats are sculpted out of steel rods. In his art, Bertoia experimented with open forms and metal work, and these chairs were an extension of that work. If you look at the chairs, they are mainly made of air, like sculpture, said Bertoia. Space passes through them. After designing his seating collection, Bertoia returned to focusing mostly on sculpture. This is the authentic Bertoia Chair produced by Knoll. The Knoll logo is stamped into its base. Made in Italy. The White and Black frames can be used outdoors with limited exposure to the elements. The Chrome frame is not for outdoor use. Materials: Welded steel rods; polished chrome finish with chrome connections or bonded Rilsan® finish with stainless steel connections. Measurements:H 28.75" W 21.75" D 19.75" Seat H 17.75"

Defined by its dependable bentwood construction and simple organic form, the graceful, lightweight and surprisingly strong Era Collection (1859) has been in continuous production for more than 150 years. By making the chair back and rear legs from a single piece of curved wood, designer Michael Thonet, who perfected the bentwood process for chair-making, eliminated the need for expensive and time-consuming hand-carved joints. Swiss architect Le Corbusier used the Era Chair in his buildings, stating, “This chair, whose millions of representatives are used on the Continent and in the two Americas, possesses nobility.” Other fans of this iconic form included Pierre-Auguste Renoir and Henri de Toulouse-Lautrec, both of whom featured this chair in their paintings. As with any natural material, slight variations in the texture and color of the wood are to be expected and are not defects. Made in the Czech Republic at a factory that’s been making chairs for more than a century. Materials: Solid beech wood from FSC-certified sources; beech plywood seat; water-based stain and varnish or lacquer finish; nylon floor glides. Measurements:H 30.75" W 21.5" D 22.5" Seat H 18.25" Arm H 27.75"

DWR Exclusive I have always been inspired by the simple forms of turntables and entertainment units from the 1960s, says designer Nathan Yong – a remarkable statement when you learn that Yong grew up in a wooden hut by the sea, where he and his brother made their own toys and waited for low tides so we could pick up treasures from the shore. Growing up with the beach as entertainment, Yong developed into a resourceful designer, whose work captivated us with its quiet elegance. At Salone del Mobile , the annual furniture fair in Milan, Yong showed us his Line Media Console, and we liked the aesthetic so much that we asked him to expand the collection. A versatile storage solution, the Line Console (2012) has two louvered doors, six cubbies and two drawers with leather pulls. The louvered design also serves a functional purpose, allowing infrared light to reach remote-controlled devices stored inside. This piece can be used in an entryway for storage or in a bedroom opposite an elevated bed as a base for a flat-screen TV. Constructed with leveling floor glides for uneven surfaces. Made in Malaysia. Materials: Solid American walnut, white oak or painted ash frame; MDF with walnut, oak or painted ash veneer. Measurements:H 35" W 41.5" D 14"

DWR Exclusive A native of Copenhagen, Jens Risom studied in his youth under furniture maker Kaare Klint, alongside the likes of Hans Wegner and Børge Mogensen. In 1939, he immigrated to the U.S. and began what would become a towering career, originally marked by his innovative work for Knoll and by the founding of his own studio in 1946, Jens Risom Design. Museum curators have credited him with providing a vital link between Scandinavian and American midcentury design, and his work is included in the collections of MoMA and the Cooper Hewitt, among many others. Risom introduced his T.710 Small Side Table (1950) at a time when he was experimenting with metal. He was fascinated by the negative space the table defines between its base and top and by the illusion of floating the top creates. This table is perfect for tight areas due to its compact size and small footprint. Stacks up to three high. Made in Malaysia. Materials: American walnut top; powder-coated steel base. Measurements:H 21" W 14" D 16"

DWR Exclusive Designers Thomas Müller and Jörg Wulff are the co-founders of Berlin-based Müller and Wulff, a design firm they started in 2001. The duo knows a few things about conceiving furniture that serves multiple purposes, developing a penchant for creating sleeper sofas that work overtime for those who are, well, working overtime. Their eminently versatile Tuck Sleeper Sofa (2013) serves as a comfortable sofa, sleep-satisfying bed and even as a group chaise thanks to a padded back area behind the pillows thats comfortable to lean against. Quickly convert Tuck from sofa to sleeper simply by lifting up the seat and pulling it toward you. It comes fitted with narrow armrests to maximize the sitting and sleeping area. Made in Denmark. Materials: Steel frame and base; FSC-certified plywood arms; high-resilience polyurethane foam cushions; powder-coated steel legs; fabric upholstery. Vision Cotton: 85% cotton, 15% polyester. Crepe Linen: 54% polyester, 26% cotton, 20% linen. Measurements:H 29" W 85" D 39" (53.5" open) Seat H 15.75"

Josef Hoffmann is well known for the simple, restrained, yet visually interesting dining chairs – several intended for cafés – that he designed early in the 20th century. The influence of the Arts and Crafts movement can be seen in his work, but Hoffmann also embraced the industrial age. Rather than rejecting traditional decoration, he succeeded in making it serve structural principles, which he believed should determine the forms of buildings, interiors and objects. Whether admiring one of his chairs or the Sanatorium Purkersdorf he designed in 1903, you can see Hoffmanns emphasis on straight, unadorned lines, characteristics that are in keeping with the style of the Viennese Secession. The Hoffmann Armchair (1925), designed in collaboration with Josef Frank, is made at the bentwood factory founded by Michael Thonet in 1861. Made in the Czech Republic. Materials: Solid European beech wood from FSC-certified sources; caned seat; water-based stain and clear varnish; nylon floor glides. Measurements:H 31.5" W 19.5" D 21" Seat H 18" Arm H 27.5"

The iconic DCM (1946) began as an experiment in the Eameses apartment, where they were molding plywood in what they called the Kazam! Machine. The machine pressed thin sheets of wood veneer against a heated membrane that was inflated by a bicycle pump. Humble beginnings for what would become one of the worlds most widely recognized and highly coveted chairs. Low-slung, with an expertly crafted molded seat and back (no bike pumps are used today), this chair cradles you in a comfortable position. Its form relates directly to the human body and holds no secrets as to how it succeeds technically. The slender rod base provides superior strength, while rubber shock mounts buffer against jarring movement. This original is an authentic product of Herman Miller, Inc. Eames is a licensed trademark of Herman Miller. Made in U.S.A. DCM stands for dining chair with metal legs. Materials: Molded five-ply seat and back; cherry, walnut, white ash or santos palisander wood veneer, ebony-stained ash veneer or red-stained ash veneer; chromed-steel or black powder-coated legs and back brace; rubber shock mounts; self-leveling nylon glides. Measurements:H 29.5" D 20.5" W 20.5" Seat H 17.5"

DWR Exclusive As the founder of two start-ups – multidisciplinary design collective Non Specific Creativity, and product design firm Interior Newman and Kamali Ltd – Nazanin Kamali has worked on everything from restaurant design to art installations. She is a graduate of The Royal College of Art, where she studied furniture design, and spent some time working in the corporate world, managing store installations and visual branding for Aero retail stores in London. With such an impressive resume, it's not surprising that Kamali's work has been recognized with a Good Design Award and two Design Plus awards; she was also shortlisted for an Elle Decoration UK award. The simple forms of midcentury architecture inspired her Celine Desk (2008), which is crafted with turned and tapered solid hardwood legs and a single-drawer desktop. An open cubby on the right is a great place to stash papers and other necessities. Legs ship unattached; no tools necessary to screw them into the desktop. Made in Lithuania. Materials: Wood veneer over MDF; solid wood legs; white painted MDF drawer front. Measurements:H 29.75" W 43.5" D 21.75"

Director of design at Herman Miller from 1945 to 1972, George Nelson helped make the company what it is today. He not only recruited influential designers Charles and Ray Eames and Isamu Noguchi but also created a portfolio of work that helped shape and grow modern design. His Pedestal Stool (1954) fits very well in casual spaces that require easy-to-rearrange seating. It features the clean lines and elegant simplicity typical of Nelson, with an upholstered seat pad that echoes Nelsons iconic Marshmallow Sofa and the same sculptural white aluminum base as Nelson pedestal tables, its siblings. Eco-friendly as it is sightly, its polyester upholstery is devoid of antimony, a known industrial pollutant. Mix and match colors to liven up living spaces, or make a statement with one hue. Self-leveling glides adjust to uneven floor surfaces. This is the authentic Nelson Pedestal Stool produced by Herman Miller. Made in U.S.A. Materials: White powder-coated aluminum base; foam cushion; Gem fabric upholstery (100% antimony-free polyester). Measurements:H 16" Diameter 15"

Charles and Ray Eames believed design is a method of action, and they continually updated their work as new materials became available. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The duo originally designed their molded chair in metal and entered it as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design, then refashioned it in light yet strong fiberglass just two years later. In the 1980s, after determining fiberglass production was detrimental to the environment, Herman Miller ceased production to explore more sustainable options, eventually choosing recyclable polypropylene. The company never quite forgot about fiberglass, however, and it recently began researching greener production methods. The Eames Molded Fiberglass Chair (1950) is the end result, constructed using a cleaner process but true to the original with its beloved variegated surface. This reintroduced version comes in a range of reformulated semi-gloss color pigments that faithfully reproduce the vintage ones. Its deep seat pocket and waterfall edge keep you comfortable by reducing pressure on the backs of your thighs. The seat back is left unfinished to maintain a slightly rough natural texture for easier gripping with your hands. This is an authentic Eames product by Herman Miller. Made in U.S.A. DFSX stands for dining-height fiberglass side chair with X-base, which is a bit abstract because you have to turn over the chair to see how its base forms an X. Made of 99% recyclable materials and covered by Herman Millers take-back program for environmentally sound recycling (should you ever wish to part with this chair). Materials: Fiberglass-reinforced plastic seat; black or white powder-coated or chrome-plated steel base; leveling floor glides. The process for making shells and the nature of fiberglass mean that each shell is unique and can possess traits such as tiny cavities in the surface, small points of lighter or darker color, or faint circular shadows where base attaches to shell. Measurements:H 31.75" W 18.5" D 21" Seat H 16.5"

DWR Exclusive Based in Denmark, Softline has been designing and producing unique, multifunctional furniture since 1979. Inspired by what they explain simply as the joy of living, Softline has created elegant, colorful and playful products for homes and businesses worldwide. When designing the Drum Pouf (2009), the goal was to create a functional, comfortable piece of furniture that could work in a variety of applications. Serving as a seat or ottoman, the comfortable Drum Pouf is easy to move around as required. The Drum cover is removable for cleaning. Made in Denmark. Add the optional Drum Pouf Tray (sold separately), and the Drum is transformed into a table. For parties, this removable Tray can also be used for serving. Materials: Foam; felt upholstery (70% wool, 25% polyamide, 3% acrylic, 2% polyester). Measurements:H 15.75" (17.25" with tray) Diameter 17.75"

Made from 111 recycled plastic Coke® bottles, this chair is the result of a special collaboration between Emeco and Coca-Cola®. It took four years of research, design and testing to create it, the production of which keeps three million plastic bottles out of landfills every year. The 111 Navy Chair (2010) not only celebrates the iconic form of the aluminum 1006 Navy® Chair designed in 1944 but also adds a pop (pun intended) of color. One of the few plastic chairs to be built with leg stretchers, this chair will stand up to frequent use. Red, white and flint are suitable for outdoor use. This is the authentic 111 Navy Chair by Emeco. Made in U.S.A. The Navy Chair design constitutes the proprietary Trade Dress of Emeco, making it illegal for another company to clone this chair. Materials: 65% recycled post-consumer PET (plastic bottles); 35% pigment, glass fiber and fire inhibitor. Measurements:H 34" W 15.5" D 19.5" Seat H 18"

DWR Exclusive Metalworker Xavier Pauchard not only brought the art of galvanizing steel to France but also took the process to the next level by creating the Marais A Chair (1934). The quintessential cafe chair, it was both elegant and robust enough to grace the decks of the S.S. Normandie ocean liner. After the death of Pauchard in 1948, his son Jean took over as managing director of their company, Tolix. In 1956, he designed an armchair to go with his father’s A Chair, naming it the A56. It takes 100 manual operations to create a Tolix chair, and 80 years after the company was founded, the Tolix name is recognized worldwide as best-in-class furniture. All Tolix furniture is still made in Autun, the same Burgundy town where the company first began. Slight surface abrasions and markings are characteristic of the material and part of its hardworking machine aesthetic. Stackable up to 10 high. Made in France. Tolix products are protected by copyright, making it illegal for another company to clone this chair. At DWR, the Tolix products we sell are 100% authentic. The Marais Collection should be protected from moisture and kept indoors when not in use to maintain its finish. To see a version of this chair specifically for outdoor use, Materials: Sheet steel with epoxy varnish or powder-coated finish; rubber floor glides. Measurements:H 29" W 20" D 20" Seat H 17.5"

The Georg Collection (2013) is the work of Chris Liljenberg Halstrøm, a Nordic designer who studied in Sweden and Denmark. Operating from her studio in Copenhagen, Halstrøm takes a minimalist approach to maximizing functionality. The Georg Bench works as a standalone piece and coordinates well with the console and stool. Includes a cushion secured with leather straps. Made in Denmark. Materials: FSC-certified raw oak; leather-strap wool-blend cushion (93% wool, 7% polyamide). Measurements:H 17.75" W 48.75" D 15"

DWR Exclusive For George Nelson, design wasn’t about things; it was about identifying problems and providing sensible solutions. The art of reduction was one of the many areas in which Nelson excelled, and he always challenged himself “to do much more with much less.” That approach led to the simple yet sleek design of the Nelson Daybed (1950), which he originally designed for his own home in 1941. For nearly a decade, he continued to streamline it, and when he was finally satisfied, the daybed became part of the Herman Miller collection in 1950. The next chapter for this timeless piece begins with you. This Daybed swiftly converts from sofa to bed with the removal of the bolsters. This is the authentic Nelson Daybed by Herman Miller. Made in Malaysia. Materials: Solid walnut or white ash frame; solid walnut or white ash legs or stainless steel hairpin legs with satin chrome finish; steel springs; high-density foam cushions. Measurements:H 27.25" W 75" D 33" Seat H 15.25"

Defined by its dependable bentwood construction and simple form, the contract-quality Era Chair (1859) has been in continuous production for more than 150 years. By making the back of the chair and rear legs from a single piece of curved wood, designer Michael Thonet – who perfected the bentwood process for chair-making – eliminated the need for expensive and time-consuming hand-carved joints. The resulting chair is graceful, lightweight and surprisingly strong – the latter of which has been continually proven in cafés and restaurants all over the globe. As with any natural material, slight variations in the texture and color of the wood are to be expected and are not defects. Made in Czech Republic. Materials: Solid European beech wood from FSC-certified sources; natural cane seat; water-borne stain and varnish or lacquer; nylon floor glides. Measurements:H 31.5" W 23.5" D 24" Seat H 18.5" Arm H 27"

With his iconic seating collection, Harry Bertoia transformed industrial wire rods into a new furniture form. The events that made this work possible began a decade earlier at Cranbrook Academy of Art, when Bertoia met Florence Knoll (then Florence Schust). Years later, the Italian-born designer was invited to work for Florence and her husband, Hans Knoll. Bertoia was given the freedom to work on whatever suited him, without being held to a strict design agenda, and the result of this arrangement was the Bertoia Seating Collection (1952). Featuring a delicate filigreed appearance thats supremely strong, these airy seats are sculpted out of steel rods. In his art, Bertoia experimented with open forms and metal work, and these chairs were an extension of that work. If you look at the chairs, they are mainly made of air, like sculpture, said Bertoia. Space passes through them. After designing his seating collection, Bertoia returned to focusing mostly on sculpture. This is the authentic Bertoia Chair produced by Knoll. The Knoll logo is stamped into its base. Chair made in Italy; seat pad made in U.S.A. The White and Black frames can be used outdoors with limited exposure to the elements. The Chrome frame is not for outdoor use. Seat pad is secured to chair with metal snaps. Materials: Welded steel rods; polished chrome finish with chrome connections or bonded Rilsan® finish with stainless steel connections; vinyl seat pad (65% polyester; 35% rayon). Measurements:H 28.75" W 21.75" D 19.75" Seat H 17.75"

An architect and designer who studied in Germany and California, Tom Kelley now lives and works in Italy. Traveling around the world for different clients, he developed a sense for the essential and important in furniture design. The Salt Table (2009) embodies his less is more credo with its unadorned functionality. Specifically crafted to complement the Shaker-style Salt Chair, mimicking its profile and finish, this piece serves well in tight quarters due to its compact size and manageable weight. Ships flat to save on packing materials; simple assembly required. Made in the Czech Republic. Materials: Solid beech wood legs; MDF tabletop with beech veneer; water-based paint. Measurements:H 30" W 31.5" D 31.5"

Charles and Ray Eames had ideas about making a better world, one in which things were designed to bring greater pleasure to our lives. Their iconic Eames Lounge Chair (1956) began with a desire to create a chair with the warm, receptive look of a well-used first basemans mitt. The result has become the consummate lounge. In continuous production since its introduction, the Eames Lounge Chair is widely considered one of the most significant designs of the 20th century. Pairing soft, inviting leather with the sleek form of molded wood, this piece was the culmination of the Eameses efforts to create a club chair using the molded plywood technology that they pioneered in the 40s. Even today, each piece is assembled by hand to ensure the highest level of quality and craftsmanship, and youll be pleased to discover that this chair gets even better with use and age. The configuration of this chair is a registered trademark, and this is the authentic Eames Lounge Chair by Herman Miller. Made in U.S.A. Materials: Seven-ply walnut or santos palisander veneer; molded plywood frame; die-cast aluminum swivel base and back braces; polyurethane foam cushions; stainless steel leveling floor glides; Spinneybeck® Vicenza leather upholstery. Measurements:H 32" W 32.75" D 32.75" Seat H 15"

Charles and Ray Eames believed design is a method of action, and they continually updated their work as new materials became available. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The duo originally designed their molded chair in metal and entered it as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design, then refashioned it in light yet strong fiberglass just two years later. In the 1980s, after determining fiberglass production was detrimental to the environment, Herman Miller ceased production to explore more sustainable options, eventually choosing recyclable polypropylene. The company never quite forgot about fiberglass, however, and it recently began researching greener production methods. The Eames Molded Fiberglass Chair (1950) is the end result, constructed using a cleaner process but true to the original with its beloved variegated surface. This reintroduced version comes in a range of reformulated semi-gloss color pigments that faithfully reproduce the vintage ones. Its deep seat pocket and waterfall edge keep you comfortable by reducing pressure on the backs of your thighs. The seat back is left unfinished to maintain a slightly rough natural texture for easier gripping with your hands. This is an authentic Eames product by Herman Miller. Made in U.S.A. DFSR stands for dining-height fiberglass side chair with rod base. Made of 99% recyclable materials and covered by Herman Millers take-back program for environmentally sound recycling (should you ever wish to part with this chair). Materials: Fiberglass-reinforced plastic seat; black or white powder-coated or chrome-plated steel base; leveling floor glides. The process for making shells and the nature of fiberglass mean that each shell is unique and can possess traits such as tiny cavities in the surface, small points of lighter or darker color, or faint circular shadows where base attaches to shell. Measurements:H 31.25" W 18.75" D 22" Seat H 17.75"

The Risom Arm Lounge Chair (1943), by Danish designer Jens Risom, is testament to the simplicity and ingenuity that is so often found in timeless modern furniture. One of the first pieces commissioned by Knoll®, it brought the natural materials and understated form of Scandinavian design to large-scale U.S. production. Originally constructed with surplus parachute straps, the chair made the best of the few materials available during WWII. Today, the streamlined hardwood frame is expertly joined with mortise and tenon construction, and the heavy-duty cotton straps are tightly basket-woven across the frame for strength and resilience. Greenguard® certified for sustainable materials and manufacturing. Each piece is stamped with the KnollStudio logo and the designers signature. This is the authentic Risom Arm Lounge Chair produced by Knoll. Made in U.S.A. Materials: Maple hardwood in a clear lacquer or ebonized finish, or walnut hardwood in a clear lacquer finish; 100% natural cotton webbing. Measurements:H 29" W 23.5" D 25" Seat H 15.5"

DWR Exclusive Sol y Luna (1954) is an adaptation of Dan Johnson's Gazelle Collection, which was originally offered in wood or bronze, both with woven caning for the seat and back. However, due to the high cost of production and the intense hand labor involved, fewer than 150 pieces from the Gazelle line were ever produced. Now made in durable cast aluminum by outdoor manufacturer Brown Jordan, the design maintains Johnson's comfortable organic form. These pieces are shaped with the body in mind. The Lounge Chair back wraps around you, and the seats are comfortably sloped for support in a relaxed position. Seat Pad sold separately. Suitable for indoor and outdoor use. Made in Mexico. Materials: Cast aluminum with powder-coated finish. SEAT PAD, 100% solution-dyed acrylic Suncloth® fabric. Measurements:H 27'' W 24" D 28'' Seat H 14" Arm H 20"

DWR Exclusive When we asked Matthew Hilton to identify the common elements found in his work, he replied, Functional, stackable, it has to store easily and be a good price. Fast-forward to today, and hes still staying true to those ideals. Seeing a need for durable outdoor furniture at accessible prices, Hilton created the Eos Collection (2011), which is sleek enough to work in an indoor dining space, as well. Eos is lightweight – literally and visually – smartly proportioned and very comfortable. Certain to inspire leisurely outdoor living during the long days of summer, this collection was named for Eos, the Greek goddess of dawn and bringer of light. Its constructed of powder-coated aluminum that wont rust over time. The Bench is designed for use with the Rectangular Table. Made in China. Materials: Powder-coated aluminum; plastic floor glides. Measurements:H 15.75" W 58.5" D 15.75"

Furniture that is too obviously designed, said Milo Baughman, is very interesting, but too often belongs only in museums. While we could certainly see his Drum Table (1970s) in a museum, it would earn its place there for its simplicity and lack of unnecessary ornamentation. Distilling the idea of an occasional table to its simplest form, Baughmans cylindrical design draws you in with its smoothness and warmth. It features seams that are painstakingly welded, ground and polished by hand until they blend in as much as possible. Once constructed, Drum is coated with bronze, oxidized and hand-relieved to give it a unique patina, eschewing the sterility of machine-made pieces. It includes leveling floor glides to compensate for uneven surfaces. Made in U.S.A. Materials: Steel with brushed bronze finish. Measurements:H 17" Diameter 36"

Director of design at Herman Miller from 1945 to 1972, George Nelson helped make the company what it is today. He not only recruited influential designers Charles and Ray Eames and Isamu Noguchi but also created a portfolio of work that helped shape and grow modern design. Providing a balanced combination of style and function for homes and offices alike, his Pedestal Side Table (1954) is adaptable to many spaces and uses. From living room to waiting room, this table accommodates everything from vases and mugs to books and magazines. It features the clean lines and elegant simplicity typical of Nelson, with a round top covered in laminate or veneer mounted on a polished or white aluminum base. Self-leveling glides adjust to uneven floor surfaces. This is the authentic Nelson Pedestal Side Table produced by Herman Miller. Made in U.S.A. Materials: MDF top; white laminate with maple edge, white ash veneer or palisander veneer; polished or white powder-coated aluminum base. Measurements:H 21.5" Diameter 17"

The epitome of midcentury sophistication, Charles Pollocks Executive Chair (1963) is scaled for comfort, able to inspire big ideas in an intuitively ergonomic seat. Pollock, who worked in George Nelsons office after graduating from the Pratt Institute, was recognized by Florence Knoll for his unique talent. His Executive Chair is considered one of Knolls most recognizable designs, distinguished by an aluminum rim that supports the seat and back both visually and structurally. Manufactured by Knoll according to the original and exacting specifications of the designer. Backed by a five-year manufacturers warranty. Made in U.S.A. Waterfall seat edge and molded back contribute to enduring comfort. Height-adjustable seat also swivels and tilts. Available with or without arms. Materials: Textured polypropylene shell; plastic arms; extruded aluminum frame; steel support under the cushion; tufted Spinneybeck® Volo leather upholstery; five-star base with casters. Measurements:H 31"–36" W 26.25" D 28.25" Seat H 18"–25" Arm H 24"–30"

DWR Exclusive When we asked Matthew Hilton to identify the common elements found in his work, he replied, Functional, stackable, it has to store easily and be a good price. Fast-forward to today, and hes still staying true to those ideals. Seeing a need for durable outdoor furniture at accessible prices, Hilton created the Eos Collection (2011), which is sleek enough to work in an indoor dining space, as well. Eos is lightweight – literally and visually – smartly proportioned and very comfortable. Certain to inspire leisurely outdoor living during the long days of summer, this collection was named for Eos, the Greek goddess of dawn and bringer of light. Its constructed of powder-coated aluminum that wont rust over time. Rectangular and Square tables fit seamlessly together to create a longer table when needed. Made in China. Materials: Powder-coated aluminum; plastic floor glides. Measurements:H 28.75" W 63" D 31.5"