Design Within Reach Furniture

Frosted glass Luciano Bertoncini for Design Within Reach Min rectangular dining table with powder-coated steel frame. For our oversize Art & Home items such as Furniture and Area Rugs, we provide a White Glove delivery service which includes in-room delivery, assembly and removal of packing materials. Our deliveries typically take 4 to 6 weeks from the time the order is placed.

Ebony Vienna leather Jeffrey Bernett and Nicholas Dodziuk for Design Within Reach Reid armchair. For our oversize Art & Home items such as Furniture and Area Rugs, we provide a White Glove delivery service which includes in-room delivery, assembly and removal of packing materials. Our deliveries typically take 4 to 6 weeks from the time the order is placed.

Pair of oak Design Within Reach Matera side tables featuring beveled edges, exposed-slot mortise-and-tenon corner joints and slotted bases. For our oversize Art & Home items such as Furniture and Area Rugs, we provide a White Glove delivery service which includes in-room delivery, assembly and removal of packing materials. Our deliveries typically take 4 to 6 weeks from the time the order is placed.

Pair of charcoal Niels Bendtsen for Design Within Reach 'Brix' two drawer bedside tables with push-latch glides, high-density wood composite panels, European birch plywood drawers, steel-reinforced top panels and steel platform base with leveling glides. For our oversize Art & Home items such as Furniture and Area Rugs, we provide a White Glove delivery service which includes in-room delivery, assembly and removal of packing materials. Our deliveries typically take 4 to 6 weeks from the time the order is placed.

Wood Design Within Reach lounge armchair with tan basket woven cotton straps and brand stamp at underside. For our oversize Art & Home items such as Furniture and Area Rugs, we provide a White Glove delivery service which includes in-room delivery, assembly and removal of packing materials. Our deliveries typically take 4 to 6 weeks from the time the order is placed.

Walnut Jens Risom for Design Within Reach Jens armchair with cocoa broad weave upholstered cushion and backsplat and brand stamp at underside. For our oversize Art & Home items such as Furniture and Area Rugs, we provide a White Glove delivery service which includes in-room delivery, assembly and removal of packing materials. Our deliveries typically take 4 to 6 weeks from the time the order is placed.

Defined by its dependable bentwood construction and simple, organic form, the graceful, lightweight and surprisingly strong Era Chair with Cane Seat (1859) has been in continuous production for more than 150 years. By making the back of the chair and rear legs from a single piece of curved wood, designer Michael Thonet, who perfected the bentwood process for chair-making, eliminated the need for expensive and time-consuming hand-carved joints. The Era Chair with Cane is suitable for residential and commercial use and remains a staple in cafes and restaurants around the globe. As with any natural material, slight variations in the texture and color of the wood are to be expected and are not defects. Made in the Czech Republic. Materials: Solid European beech wood from FSC-certified sources; caned seat; water-borne stain and varnish or lacquer finish; nylon floor glides. Measurements:H 33.25" W 16.25" D 20.5" Seat H 18.5"

Originally designed for the canteen at Novo Nordisk, an international Danish healthcare company, the Ant Chair (1952) faced an unclear future when the manufacturer expressed concern about its potential. But Arne Jacobsen believed in his product and offered to buy all the chairs if they didnt sell. Of course, he never had to make good on that offer, as the Ant Chair quickly became an international success. Jacobsen shaped the core of Danish design identity when he accommodated three different bends in one piece of plywood, simply by narrowing the chair back. This chair is ideally suited to the human body. Its seatback has a comfortable give, and its waterfall seat edge doesnt press into legs. Stackable up to six high. This is the authentic Ant Chair by Republic of Fritz Hansen. Made in Denmark. Colored Ash is a durable stain that keeps the wood grain visible, making each chair unique. Grey Oak is a special edition with painted oak veneer shell and steel frame with bronze finish. Materials: Pressure-molded sliced veneer shell with outer layer in lazur-painted ash or oak veneer; tubular steel frame with polished chrome or matte bronze finish. Measurements:H 31.75" W 20" D 19" Seat H 18.25"

The Series 7 Chair (1955) debuted in Sweden at the Helsingborg exhibition of 1955, or H55. One of the most copied chairs of the modern era, it features an ideal shape for the human form, with a back that offers just the right amount of give to keep your upper body comfortable and a waterfall seat that supports your legs without pressing into them. Arne Jacobsen, instilled with a love of materials, shaped the core of Danish design identity with this chair by forming it from one piece of plywood that he cleverly narrowed in the middle to accommodate three different bends. Once painstakingly made by hand, Series 7 is now crafted using automation methods borrowed from the German car industry and monitored by a team that ensures every single chair is perfect. Suitable for commercial use. Stacks six high. This is the authentic Series 7 Chair by Republic of Fritz Hansen. Made in Denmark. Colored ash is a durable stain that keeps the wood grain visible, making each chair unique. Lacquered veneer is a glossy finish with no visible wood grain, making chairs uniform. Natural veneer also keeps the wood grain visible, making each chair unique. Choice is a special edition that features legs electroplated with 22-karat rose gold. Materials: Pressure-molded sliced veneer shell with outer layer in lazur-painted ash veneer, lacquered ash veneer or natural wood veneer; tubular steel frame with chrome- or gold-plated finish. Measurements:H 31" W 20.5" D 20" Seat H 18.3"

Charles and Ray Eames believed that design is a method of action, and they continually updated their work as new materials became available. Their Molded Plastic chairs were originally designed in metal and entered as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design. They then changed the material to fiberglass in 1950, and today the chairs are made of recyclable polypropylene. Charles was dissatisfied with the fiberglass, and it wasnt until after his death that the matte finish he desired was achieved, thanks to advances in materials. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The deep seat pocket and waterfall seat edge keep you comfortable by reducing pressure on the backs of thighs. This is an authentic chair by Herman Miller, Inc. Eames is a licensed trademark of Herman Miller. Made in U.S.A. DSW stands for dining height, side chair with wood base. Materials: Injection-molded batch-dyed recyclable polypropylene; walnut, maple, ebony-stained ash or white ash dowels; black or white powder-coated or chrome-plated steel base. Measurements:H 31.75" W 18" D 21" Seat H 17.25"

Josef Hoffmann is well known for the simple, restrained, yet visually interesting dining chairs – several intended for cafés – that he designed early in the 20th century. The influence of the Arts and Crafts movement can be seen in his work, but Hoffmann also embraced the industrial age. Rather than rejecting traditional decoration, he succeeded in making it serve structural principles, which he believed should determine the forms of buildings, interiors and objects. Whether admiring one of his chairs or the Sanatorium Purkersdorf he designed in 1903, you can see Hoffmanns emphasis on straight, unadorned lines, characteristics that are in keeping with the style of the Viennese Secession. The Hoffmann Side Chair (1925), designed in collaboration with Josef Frank, is made at the bentwood factory founded by Michael Thonet in 1861. Made in the Czech Republic. Materials: Solid European beech wood from FSC-certified sources; caned seat; water-based stain and clear varnish; nylon floor glides. Measurements:H 31.5" W 17.75" D 21" Seat H 18"

Form follows function, and nowhere is that more apparent than in a sculpted chair that anticipates the curves of the human body. Arne Jacobsen designed the SAS Royal Hotel in Copenhagen, and for its busy lobby, he created the biomorphic Egg (1958). With this chair, Jacobsen embraced new materials that allowed him to shape fluid curves and single-piece molded shells. At a time when others were experimenting with bent tubular steel, Jacobsen focused on the upholstered armchair, believing a solution existed that was still true to modern ideals. Indeed, he met that goal. Set on a rotating base, the Egg Chair allows sitters to swivel toward a conversation area or away from others if privacy is desired. It also tilts back for relaxed lounging. This is the authentic Egg Chair manufactured by Republic of Fritz Hansen. Made in Poland. The Egg Chair tilts and swivels. Finely upholstered, the fabric or leather is hand-sewn onto the frame. Materials: Fiberglass-reinforced polyurethane foam shell; satin-chromed steel column; injection-molded aluminum base; fabric or leather upholstery. Gabriel® Fame® upholstery: 95% wool, 5% polyamide. Maharam Kvadrat® Tonus upholstery: 90% wool, 10% Helanca®. Basel upholstery: 90% new wool, 10% nylon; Sorensen leather piping. Leather upholstery: full-grain leather or cowhide. Measurements:H 42.25" W 34" D 37.5" Seat H 14.5"

DWR Exclusive Born in Mainz, Germany, in 1924, Bernard Schottlander fled to England as a Jewish refugee in 1939. He worked as a welder for a short stint during the war before delving into sculpture at Leeds College of Art and the Anglo-French art center in St. Johns Wood. A year later, he went on to open his own design studio and began creating new pieces in limited editions. An admirer of Alexander Calder, the American sculptor perhaps best known as originator of the mobile, Schottlander created his Mantis Collection (1951) as an homage. Movement being intrinsic to his work, he devised clever adjustable frames constructed of strong yet flexible steel rods combined with counterweights (except for the sconce, which has a fixed design). He then fabricated shades from aluminum using repoussé and chasing techniques, relying on his trained sculptors eye to produce beautifully flowing shapes that set the symmetrical and asymmetrical in opposition. His lamps – much like his idols mobiles – appear to defy gravity with their floating forms. Bulb (not included): LED, CFL or incandescent; E12 base; 40W max. This is the authentic Mantis Collection. Made in China. Materials: Painted steel arm and base; painted aluminum shade; nickeled brass ball joint. Measurements:H 8.25" D 17.75" Shade Diameter 8.75", 3.5 lbs.

Following his apprenticeship with the legendary Constantin Brancusi, sculptor Isamu Noguchi began to experiment in environmental design, theatrical sets – he was the only designer choreographer Martha Graham would work with – and, eventually, product design. He created his first furniture prototypes for Herman Miller in 1942 and went on to work with companies such as Steuben and Zenith. The Noguchi Table (1948) conceals nothing, revealing everything about the nature of simplicity. Two smoothly shaped pieces of solid wood interlock to form a tripod that supports a thick glass tabletop. The base is available in black, walnut, natural cherry and white ash, the latter of which is finished with a process that arrests the wood in its freshly cut state, resulting in a creamy white color that will not turn yellow over time. This is the authentic Noguchi Table by Herman Miller. Made in U.S.A. The configuration of this table is a registered trademark. To distinguish the real Noguchi table from the cheap knockoffs, Herman Miller has etched Noguchis signature on the longest edge of the glass top and on a medallion on the underside of the base. Materials: Solid wood base in Noguchi black, walnut, natural cherry or white ash; 0.75" thick glass. Measurements:H 15.75" W 50" D 36"

DWR Exclusive Early in his career, Italian designer Luciano Bertoncini had a chance meeting with the legendary Joe Colombo, who chose one of Bertoncinis products to feature in his catalog. The exposure he received from that placement led to an invitation to contribute to the famous 1972 exhibition Italy: The New Domestic Landscape at MoMA in New York. Today, Bertoncini is a furniture designer working from his studio in Treviso, serving the needs of clients around the world. It takes a skilled designer to make a metal bed look elegant rather than institutional, and his Min Bed (2003) has been a best-selling product in our assortment since its debut. Combining high-quality materials and expert construction with a basic slat platform, the Min provides constant ventilation for your mattress (which is crucial for memory foam). Bed ships flat; simple assembly required. Made in Italy. This bed is compatible with our Sonno Mattress. Platform sits a few inches below frame. Materials: Matte or powder-coated aluminum frame; wood slats with rubber inserts; felt glides. Measurements:Twin: H 12" W 40" D 76" Platform Height 9.5" Full: H 12" W 55.5" D 76.5" Platform Height 9.5" Queen: H 12" W 63" D 82" Platform Height 9.5" King: H 12" W 78.5" D 82.5" Platform Height 9.5" Cal King: H 12" W 74.25" D 85.5" Platform Height 9.5"

Son and pupil of architect P.V. Jensen Klint, best known as the designer of Grundtvigs Church in Copenhagen, Kaare Klint went on to become known as one of the forefathers of modern Danish furniture design. In 1924, he founded the department of furniture design at the Royal Danish Academy of Fine Arts, which shaped future furniture designers such as Poul Kjærholm and Børge Mogensen. Through his work, he defined the fundamental traits of Danish modern furniture: clean lines, fine materials and exceptional craftsmanship. Klint based his furniture designs on functional principles and careful analyses of human proportions. His Safari Chair and Footrest (1933) take their design cues from the light, portable camp chairs used by English officers. Remarkably, Safari can be easily assembled and disassembled entirely without tools, and this knockdown capability has made it a modern classic. Made in Denmark. Materials: Solid ash frame with smoked oil finish; canvas or leather seat; adjustable leather straps. Measurements:H 31.5" W 22.5" D 22.5" Seat H 13.5" Arm H 22"

Charles and Ray Eames believed design is a method of action, and they continually updated their work as new materials became available. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The duo originally designed their molded chair in metal and entered it as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design, then refashioned it in light yet strong fiberglass just two years later. In the 1980s, after determining fiberglass production was detrimental to the environment, Herman Miller ceased production to explore more sustainable options, eventually choosing recyclable polypropylene. The company never quite forgot about fiberglass, however, and it recently began researching greener production methods. The Eames Molded Fiberglass Chair (1950) is the end result, constructed using a cleaner process but true to the original with its beloved variegated surface. This reintroduced version comes in a range of reformulated semi-gloss color pigments that faithfully reproduce the vintage ones. Its deep seat pocket and waterfall edge keep you comfortable by reducing pressure on the backs of your thighs. The seat back is left unfinished to maintain a slightly rough natural texture for easier gripping with your hands. This is an authentic Eames product by Herman Miller. Made in U.S.A. DFAW stands for dining-height fiberglass armchair with wood base. Made of 99% recyclable materials and covered by Herman Millers take-back program for environmentally sound recycling (should you ever wish to part with this chair). Materials: Fiberglass-reinforced plastic seat; maple, walnut, ebony-stained ash or white ash dowels; black or white powder-coated wire. The process for making shells and the nature of fiberglass mean that each shell is unique and can possess traits such as tiny cavities in the surface, small points of lighter or darker color, or faint circular shadows where base attaches to shell. Measurements:H 31.5" W 25" D 23.25" Seat H 18" Arm H 26.25"

Jean Prouvé's EM Table (1950) exhibits a dynamic relationship between the base and tabletop, following in the footsteps of such iconic designs as the Parsons table, the Eames Round Table and Le Corbusier's glass-topped table. Made of sheet metal, each tapered leg is turned out and angled on a diagonal slant to distribute the downward flow of energy on the table, making an incredibly sturdy surface for working or dining. The tabletop is finished in smooth oak veneer and lends a warm counterpoint to the table's mechanical efficiency. Reproduced to exacting standards by Vitra. Made in Germany. Materials: Black lacquered metal legs and tubular cross brace; oak veneer tabletop. Measurements:H 28.5" W 79" D 35.5"

Expressing the rationalist aesthetic that came to epitomize the International Style, the LC10 Table (1928) by Le Corbusier, Pierre Jeanneret and Charlotte Perriand features framework reduced to a minimum. Perriand had the idea to manufacture the legs and side pieces separately to ensure the highest quality finish; in this fashion, components of various sizes can be used to create tables more in line with demand today. The LC Series was originally designed for indoor use, but after a visit to Villa Savoye, where some of the pieces were being used on the terrace, Cassina was inspired to create outdoor-safe models. The manufacturer spent three years working closely with the Le Corbusier Foundation to develop a product that was within the Foundations strict parameters: to be the same or better quality than indoor. Cassina opted for better quality, constructing the frame using hand-polished type 304 stainless steel and opting for silver welding rather than chrome. This silver welding offers extreme resistance to corrosion, developing a patina over time, and is also more authentic – chrome was not commonly used until the 1970s. Each piece is signed, numbered and, as a product of Cassinas Masters Collection, manufactured by Cassina under exclusive worldwide license from the Le Corbusier Foundation. Made in Italy. Materials: Hand-polished type 304 stainless steel frame with silver welding; matte black stretchers; 15mm textured glass tabletop; plastic foot ends. Measurements:H 13" W 27.5" D 27.5"

It is shocking to think of Finn Juhl designing this sculptural chair in 1940 – that was more than 75 years ago, and the Pelican Chair is still out there by todays standards. With graceful curves that befriend the body and wrap the sitter in its embrace, the Pelican is true to Juhls idea that a chair is not just a product of decorative art in a space, it is a form and a space in itself. And while the influence of contemporary sculpture is clear, Juhl was quick to clarify that furniture is furniture, not sculpture. The upholstery is hand-sewn onto the frame; some colors (see below) are finished with tufted buttons. This original is an authentic, fully licensed product of House of Finn JuhlTM. Made in Denmark. Colors with tufted buttons: grey with red cushion and red buttons; teal with light blue cushion and light blue buttons; cream with leather sand cushion and leather sand buttons. Materials: Steel frame molded in hard cellular plastic and MDI; walnut legs; canvas-linen bottom cover; 100% recyclable Pantera foam and cotton fiber padding; hand-sewn double-stitched upholstery. Teal/Blue: Kvadrat Divina 3 (100% wool) with tufted buttons. Charcoal Grey, Plum and Tan/Brown: Kvadrat Divina Melange (100% wool). Cream: Kvadrat Hallingdal (70% wool, 30% viscose). Cream/Sand: Kvadrat Hallingdal (70% wool, 30% viscose) with leather seat and tufted buttons. Grey/Red: Kvadrat Remix (90% new worsted wool, 10% nylon) with tufted buttons. Charcoal, Gold, Indigo and Red: Kvadrat Canvas (90% wool, 10% nylon). Measurements:H 26.75" W 33.5" D 30" Seat H 14.5"

After being recruited by none other than Charles Eames to become director of design for the Herman Miller textile division in 1952, Alexander Girard was given the freedom to experiment with vibrant hues and patterns in his work. His sculptural Splayed Leg Table (1967) combines a slightly veined square marble top for a subtly distinct look with flowing splayed aluminum legs for stability. Its elegant materials and timeless form make it ideal for a variety of residential and commercial spaces, from living room and bedroom to hotel room and boardroom. Use it alone as a side table, or place several together to create a host of configurations. This is the authentic Girard Splayed Leg Table by Herman Miller. Made in U.S.A. Materials: Solid white Carrara or black Nero Marquina marble top; polished die-cast aluminum legs; nylon floor glides. Measurements:H 16.75" W 20" D 20"

The Georg Collection (2013) is the work of Chris Liljenberg Halstrøm, a Nordic designer who studied in Sweden and Denmark. Operating from her studio in Copenhagen, Halstrøm takes a minimalist approach to maximizing functionality. The Georg Bench works as a standalone piece and coordinates well with the console and stool. Includes a cushion secured with leather straps. Made in Denmark. Materials: FSC-certified raw oak; leather-strap wool-blend cushion (93% wool, 7% polyamide). Measurements:H 17.75" W 48.75" D 15"

Architect Ludwig Mies van der Rohe was the director of the Bauhaus until it closed in 1933, and it was during that tenure that he designed some of his most notable furniture. Exhibiting an unerring sense of proportion, as well as minimalist forms and exquisitely refined details, his table and chairs have been called architecture in miniature. The Barcelona Table (1930) was originally created for the Mies-designed Villa Tugendhat in Brno, Czech Republic, and it is often paired with the Barcelona Chair for their stylistic parallels. Absolute in its elegance, the seamless, single-piece construction of the base ensures precision and durability. The polished chrome frame is stamped with the KnollStudio logo and the designers signature. This is the authentic Barcelona Table manufactured by Knoll according to the original and exacting specifications of the designer. Glass top made in U.S.A.; base made in Italy. Materials: Clear, polished 3/4"-thick plate glass with 1/8" beveled edge and slight green tint; bar stock steel with hand-ground and hand-buffed chrome finish. Measurements:H 18.5" W 40" D 40"

DWR Exclusive Running into legendary designer Jens Risom in the halls at DWR headquarters was one of the many pleasures of working here. Over the years, we collaborated with Risom on a number of new product launches and re-launches like this Chair (1949), originally designed for the Caribe Hilton Hotel in Puerto Rico. Decades had passed since this collection was in production, and Risom worked closely with us on every step of its return, from reviewing prototypes, to adjusting tiny details, to advocating cost-effective changes in the manufacturing process. Like all the furniture by this iconic designer, this collection has a subtle Scandinavian sensibility that works with modern and traditional settings. Or, as Risom put it, Good design means that anything good will go well with other equally good things. Slipcovers are removable for cleaning. Made in U.S.A. Materials: Solid oak or walnut frame; plywood panel under seat cushion; fabric or Elmosoft Scandinavian semi-aniline leather upholstery. Measurements:H 29.5" W 28" D 28" Seat H 16" Arm H 24.5"

With his iconic seating collection, Harry Bertoia transformed industrial wire rods into a new furniture form. The events that made this work possible began a decade earlier at Cranbrook Academy of Art, when Bertoia met Florence Knoll (then Florence Schust). Years later, the Italian-born designer was invited to work for Florence and her husband, Hans Knoll. Bertoia was given the freedom to work on whatever suited him, without being held to a strict design agenda, and the result of this arrangement was the Bertoia Seating Collection (1952). Featuring a delicate filigreed appearance thats supremely strong, these airy seats are sculpted out of steel rods. In his art, Bertoia experimented with open forms and metal work, and these chairs were an extension of that work. If you look at the chairs, they are mainly made of air, like sculpture, said Bertoia. Space passes through them. After designing his seating collection, Bertoia returned to focusing mostly on sculpture. This is the authentic Bertoia Chair produced by Knoll. The Knoll logo is stamped into its base. Made in Italy. The White and Black frames can be used outdoors with limited exposure to the elements. The Chrome frame is not for outdoor use. Materials: Welded steel rods; polished chrome finish with chrome connections or bonded Rilsan® finish with stainless steel connections. Measurements:H 28.75" W 21.75" D 19.75" Seat H 17.75"

Ludwig Mies van der Rohes Barcelona Couch (1930) was added to his Barcelona Collection in the year following the introduction of the Chair and Stool. Still produced to his original specifications, the couch gained widespread popularity in 1953, when architect Philip Johnson selected it for his New York apartment. The cushions – welting and buttons included – come from a single Spinneybeck Volo cowhide and are supported by cowhide belting straps. To create the deep, precise tufting, individual panels of leather are cut, hand-welted and hand-tufted. The frame is made from African mahogany sapele hardwood, with stainless steel legs. The bolster cushion is crafted from coordinating leather and secured to the couch with straps and locking snaps. The Barcelona Couch is a registered trademark of Knoll, Inc., manufactured by Knoll according to the original and exacting specifications of the designer. Made in U.S.A. Materials: African sapele hardwood frame with protective clear lacquer finish; cowhide leather straps; rubber webbing; polished stainless steel legs; Dacron®-wrapped high-resiliency urethane foam and fiberfill cushions; Spinneybeck® Volo semi-aniline leather upholstery. Measurements:H 25" W 39" D 78" Seat H 15.5"

Defined by its dependable bentwood construction and simple organic form, the graceful, lightweight and surprisingly strong Era Collection (1859) has been in continuous production for more than 150 years. By making the chair back and rear legs from a single piece of curved wood, designer Michael Thonet, who perfected the bentwood process for chair-making, eliminated the need for expensive and time-consuming hand-carved joints. Swiss architect Le Corbusier used the Era Chair in his buildings, stating, “This chair, whose millions of representatives are used on the Continent and in the two Americas, possesses nobility.” Other fans of this iconic form included Pierre-Auguste Renoir and Henri de Toulouse-Lautrec, both of whom featured this chair in their paintings. As with any natural material, slight variations in the texture and color of the wood are to be expected and are not defects. Made in the Czech Republic at a factory that’s been making chairs for more than a century. Materials: Solid beech wood from FSC-certified sources; beech plywood seat; water-based stain and varnish or lacquer finish; nylon floor glides. Measurements:H 30.75" W 21.5" D 22.5" Seat H 18.25" Arm H 27.75"

In a 1956 Time magazine cover story, Eero Saarinen said that the underside of typical tables and chairs makes a confusing, unrestful world and he was designing a new collection to clear up the slum of legs in the U.S. home. Later that year, he completed his Pedestal Table (1956), whose form was inspired by a drop of high-viscosity liquid. This iconic table features a cast-aluminum base with abrasion-resistant Rilsan finish and a solid marble, wood veneer or laminate tabletop. Each is stamped with the KnollStudio logo and Eero Saarinens signature. This is the authentic Saarinen Pedestal Table by Knoll. Base made in China; tabletop made in Italy or U.S.A., depending on material. Stone masters carefully select marble with the best composition and veining to create tops for marble Saarinen Pedestal Tables. Please rest assured that each ones unique markings are not imperfections but rather the very traits that make it a true one of a kind. Polished-coated marble tops have a glossy polyester coating, and satin-coated marble tops have a matte satin polyester coating; both types help protect against stains. Materials: Cast-aluminum base with Rilsan® finish; solid marble, wood veneer or laminate tabletop with beveled edge. Solid marble: Arabescato (white with heavy grey veining), Nero Marquina or Verde Alpi (green with black and white veining). Wood veneer: MDF with cathedral-grain ebonized walnut, oak, walnut or Pau Ferro rosewood veneer. Laminate: MDF with laminate. Measurements:H 20" Diameter 20"

DWR Exclusive When we asked Matthew Hilton to identify the common elements found in his work, he replied, Functional, stackable, it has to store easily and be a good price. Fast-forward to today, and hes still staying true to those ideals. Seeing a need for durable outdoor furniture at accessible prices, Hilton created the Eos Collection (2011), which is sleek enough to work in an indoor dining space, as well. Eos is lightweight – literally and visually – smartly proportioned and very comfortable. Certain to inspire leisurely outdoor living during the long days of summer, this collection was named for Eos, the Greek goddess of dawn and bringer of light. Its constructed of powder-coated aluminum that wont rust over time. Rectangular and Square tables fit seamlessly together to create a longer table when needed. Made in China. Materials: Powder-coated aluminum; plastic floor glides. Measurements:H 28.75" W 63" D 31.5"

The expressive sculptural forms of Eero Saarinen’s furniture can also be found in his architecture, from the TWA Terminal at Kennedy Airport to the Gateway Arch in St. Louis to Dulles International Airport. In 1940, the Finnish American and his friend Charles Eames took first prize at the Organic Design in Home Furnishings competition at MoMA. Later that decade, when Florence Knoll challenged Saarinen to create a chair that she could curl up in, she had found the right candidate for the task. The Womb Chair (1946) has an enveloping form that continues to be one of the most iconic and recognized representations of midcentury organic modernism. By applying foam molded over a fiberglass shell, Saarinen created a single-piece form that perfectly facilitates a relaxed sitting posture. Manufactured by Knoll according to the original specifications of the designer. Made in U.S.A. Materials: Reinforced fiberglass shell; plywood platform; polyester fiber padding with foam core; steel rod frame with black powder-coated or polished chrome finish; stainless steel and nylon glides; fabric or leather upholstery. Cato: KnollTextiles Cato fabric (86% wool, 14% rayon). Classic Bouclé: KnollTextiles Classic Bouclé fabric (52% wool, 48% nylon). Melange: KnollTextiles Melange fabric (88% wool, 12% nylon). Sonnet: KnollTextiles Sonnet fabric (100% polyester). Volo: Spinneybeck® semi-aniline leather. Measurements:H 35.5" W 40" D 34" Seat H 16" Arm H 20.5"

The manufacturer of our Harvest Rug (2014) was founded with the vision of connecting people around the globe with a pool of Indian rug makers that it would grow and nurture. Starting with just two looms and nine artisans 30-plus years ago, the company now boasts over 200 looms and 40,000 artisans, making it one of the worlds leading rug manufacturers. Its committed to social responsibility as much as artistry, empowering artisans through innovative grass-roots training programs designed to help elevate them from mere wage earners to entrepreneurs. Harvest is a hand-woven natural jute rug with a pronounced diagonal weave durable enough to withstand years of heavy traffic. Made in India. Materials: 70% jute, 30% rayon chenille yarn. Measurements:Small L 8' W 5' Pile 0.5" Large L 10' W 8' Pile 0.5"

With his iconic seating collection, Harry Bertoia transformed industrial wire rods into a new furniture form. The events that made this work possible began a decade earlier at Cranbrook Academy of Art, when Bertoia met Florence Knoll (then Florence Schust). Years later, the Italian-born designer was invited to work for Florence and her husband, Hans Knoll. Bertoia was given the freedom to work on whatever suited him, without being held to a strict design agenda, and the result of this arrangement was the Bertoia Seating Collection (1952). Featuring a delicate filigreed appearance thats supremely strong, these airy seats are sculpted out of steel rods. In his art, Bertoia experimented with open forms and metal work, and these chairs were an extension of that work. If you look at the chairs, they are mainly made of air, like sculpture, said Bertoia. Space passes through them. After designing his seating collection, Bertoia returned to focusing mostly on sculpture. This is the authentic Bertoia Diamond Lounge Chair produced by Knoll. The Knoll logo is stamped into its base. Chair made in Italy; seat pad made in U.S.A. In honor of Bertoias 100th birthday, Knoll has introduced a version of this classic finished in 18-karat plated gold. Black and White frames can be used outdoors with limited exposure to the elements. Chrome and Gold frames are not for outdoor use. Vinyl seat pad can be used outdoors and is secured to chair with metal snaps. Bouclé full cover is not for outdoor use. Materials: Welded steel rods; polished chrome finish with chrome connections, 18K gold plated with stainless steel connections or bonded Rilsan® finish with stainless steel connections; vinyl seat pad (65% polyester, 35% rayon) or KnollTextiles Classic Bouclé upholstery (57% nylon, 43% wool). Measurements:H 30" W 33.5" D 28.25" Seat H 16.5"

Charles and Ray Eames believed that design is a method of action, and they continually updated their work as new materials became available. Their Molded Plastic chairs were originally designed in metal and entered as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design. They then changed the material to fiberglass in 1950, and today the chairs are made of recyclable polypropylene. Charles was dissatisfied with the fiberglass, and it wasnt until after his death that the matte finish he desired was achieved, thanks to advances in materials. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The deep seat pocket and waterfall seat edge keep you comfortable by reducing pressure on the backs of thighs. This is an authentic chair by Herman Miller, Inc. Eames is a licensed trademark of Herman Miller. Contract quality. Made in U.S.A. DSR stands for dining height, side chair, rod base. Commonly referred to as the Eiffel chair (because of the shape of the base). Materials: Injection-molded batch-dyed recyclable polypropylene; black or white powder-coated or chrome-plated steel base; leveling floor glides. Measurements:H 31.5" W 18" D 21.5" Seat H 17.5"

Charles and Ray Eames believed design is a method of action, and they continually updated their work as new materials became available. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The duo originally designed their molded chair in metal and entered it as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design, then refashioned it in light yet strong fiberglass just two years later. In the 1980s, after determining fiberglass production was detrimental to the environment, Herman Miller ceased production to explore more sustainable options, eventually choosing recyclable polypropylene. The company never quite forgot about fiberglass, however, and it recently began researching greener production methods. The Eames Molded Fiberglass Chair (1950) is the end result, constructed using a cleaner process but true to the original with its beloved variegated surface. This reintroduced version comes in a range of reformulated semi-gloss color pigments that faithfully reproduce the vintage ones. Its deep seat pocket and waterfall edge keep you comfortable by reducing pressure on the backs of your thighs. The seat back is left unfinished to maintain a slightly rough natural texture for easier gripping with your hands. This is an authentic Eames product by Herman Miller. Made in U.S.A. DFSR stands for dining-height fiberglass side chair with rod base. Made of 99% recyclable materials and covered by Herman Millers take-back program for environmentally sound recycling (should you ever wish to part with this chair). Materials: Fiberglass-reinforced plastic seat; black or white powder-coated or chrome-plated steel base; leveling floor glides. The process for making shells and the nature of fiberglass mean that each shell is unique and can possess traits such as tiny cavities in the surface, small points of lighter or darker color, or faint circular shadows where base attaches to shell. Measurements:H 31.25" W 18.75" D 22" Seat H 17.75"

Josef Hoffmann is well known for the simple, restrained, yet visually interesting dining chairs – several intended for cafés – that he designed early in the 20th century. The influence of the Arts and Crafts movement can be seen in his work, but Hoffmann also embraced the industrial age. Rather than rejecting traditional decoration, he succeeded in making it serve structural principles, which he believed should determine the forms of buildings, interiors and objects. Whether admiring one of his chairs or the Sanatorium Purkersdorf he designed in 1903, you can see Hoffmanns emphasis on straight, unadorned lines, characteristics that are in keeping with the style of the Viennese Secession. The Hoffmann Armchair (1925), designed in collaboration with Josef Frank, is made at the bentwood factory founded by Michael Thonet in 1861. Made in the Czech Republic. Materials: Solid European beech wood from FSC-certified sources; caned seat; water-based stain and clear varnish; nylon floor glides. Measurements:H 31.5" W 19.5" D 21" Seat H 18" Arm H 27.5"

With his iconic seating collection, Harry Bertoia transformed industrial wire rods into a new furniture form. The events that made this work possible began a decade earlier at Cranbrook Academy of Art, when Bertoia met Florence Knoll (then Florence Schust). Years later, the Italian-born designer was invited to work for Florence and her husband, Hans Knoll. Bertoia was given the freedom to work on whatever suited him, without being held to a strict design agenda, and the result of this arrangement was the Bertoia Seating Collection (1952). These extremely strong yet airy chairs are sculpted out of steel rods with a delicate filigreed appearance. In his art, Bertoia experimented with open forms and metal work, and his chairs were an extension of that work. If you look at the chairs, they are mainly made of air, like sculpture, said Bertoia. Space passes through them. After designing his seating collection, Bertoia returned to focusing mostly on sculpture. This is an authentic Bertoia Chair produced by Knoll, with the Knoll logo stamped into its base. Seat pad is secured with metal snaps. Chair made in Italy; seat pad made in U.S.A. Materials: Welded steel rods; bonded Rilsan® finish with stainless steel connections; vinyl seat pad (65% polyester; 35% rayon). Measurements:H 28.75" W 21.75" D 19.75" Seat H 17.75"

The compact footprint of the Salt Chair makes it a smart choice for cafés or just about anywhere you need to maximize seating. Unlike chairs that have widely splayed legs, a Salt Chair can be placed side by side with another without wasting space in between. Its lack of ornamentation and unnecessary excess lends this timeless, Shaker-style chair a modern feel. And no, its not named after its color – until recently, its been available only in black. Rather, it owes its title to being as fundamental as the salt shaker on your table. Constructed of solid oak or finished in a water-based opaque paint that really makes the chairs profile pop, Salt is unpretentious, familiar and made for everyday use. Made in the Czech Republic. Materials: Solid beech wood and plywood with painted finish or solid oak. Measurements:H 33.25" W 16" D 15.75" Seat H 17.75"

DWR Exclusive I have always been inspired by the simple forms of turntables and entertainment units from the 1960s, says designer Nathan Yong – a remarkable statement when you learn that Yong grew up in a wooden hut by the sea, where he and his brother made their own toys and waited for low tides so we could pick up treasures from the shore. Growing up with the beach as entertainment, Yong developed into a resourceful designer, whose work captivated us with its quiet elegance. At Salone del Mobile , the annual furniture fair in Milan, Yong showed us his Line Media Console, and we liked the aesthetic so much that we asked him to expand the collection. A versatile storage solution, the Line Console (2012) has two louvered doors, six cubbies and two drawers with leather pulls. The louvered design also serves a functional purpose, allowing infrared light to reach remote-controlled devices stored inside. This piece can be used in an entryway for storage or in a bedroom opposite an elevated bed as a base for a flat-screen TV. Constructed with leveling floor glides for uneven surfaces. Made in Malaysia. Materials: Solid American walnut, white oak or painted ash frame; MDF with walnut, oak or painted ash veneer. Measurements:H 35" W 41.5" D 14"

Charles and Ray Eames believed that design is a method of action, and they continually updated their work as new materials became available. Their Molded Plastic Chairs were originally designed in metal and entered as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design. They then changed the material to fiberglass in 1950, and today this rocker is made of recyclable polypropylene. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . Since 1955, every Herman Miller employee welcoming a baby into his or her life has been offered this rocker or a $100 savings bond. More than 90% have chosen the rocker. Fortunately, you dont have to work at Herman Miller to bring home this bundle of joy. This is an authentic chair by Herman Miller, Inc. Eames is a licensed trademark of Herman Miller. Made in U.S.A. RAR stands for rocker height, armchair, rocking base. Choose from nine bases: black, white or chrome wires, each available with maple, walnut or white ash runners. Materials: Injection-molded batch-dyed recyclable polypropylene; powder-coated or chrome-plated steel base; maple, walnut or white ash runners with clear lacquer finish. Measurements:H 26.5" W 25" D 27.25" Seat H 13" Arm H 23"

After earning a degree in furniture design from Leeds Metropolitan University in England, Marc Krusin moved to Milan to launch his career. He cofounded the design group Codice 31 and has collaborated with Piero Lissoni, Kartell, Flos and Knoll. In 2008, the European Centre for Architecture Art Design and Urban Studies and The Chicago Athenaeum: Museum of Architecture and Design included Krusin in Europe 40 under 40, an annual list of the most promising and emerging design talent in Europe. Seeing a need for simple and sophisticated guest seating and occasional tables, he created his Krusin Coffee Table (2011) with glass or marble top. The strong geometry of this piece is softened with radius and chamfer details. Suitable for contract use. Made in U.S.A. Materials: Ash, oak, walnut or ebonized oak frame; mortise-and-tenon construction; glass or satin-coated Arabescato marble tabletop. Measurements:H 10" W 36" D 36"