Design Within Reach Home & Living

With his iconic seating collection, Harry Bertoia transformed industrial wire rods into a new furniture form. The events that made this work possible began a decade earlier at Cranbrook Academy of Art, when Bertoia met Florence Knoll (then Florence Schust). Years later, the Italian-born designer was invited to work for Florence and her husband, Hans Knoll. Bertoia was given the freedom to work on whatever suited him, without being held to a strict design agenda, and the result of this arrangement was the Bertoia Seating Collection (1952). Featuring a delicate filigreed appearance thats supremely strong, these airy seats are sculpted out of steel rods. In his art, Bertoia experimented with open forms and metal work, and these chairs were an extension of that work. If you look at the chairs, they are mainly made of air, like sculpture, said Bertoia. Space passes through them. After designing his seating collection, Bertoia returned to focusing mostly on sculpture. This is the authentic Bertoia Chair produced by Knoll. The Knoll logo is stamped into its base. Made in Italy. The White and Black frames can be used outdoors with limited exposure to the elements. The Chrome frame is not for outdoor use. Materials: Welded steel rods; polished chrome finish with chrome connections or bonded Rilsan® finish with stainless steel connections. Measurements:H 28.75" W 21.75" D 19.75" Seat H 17.75"

Charles and Ray Eames believed that design is a method of action, and they continually updated their work as new materials became available. Their Molded Plastic chairs were originally designed in metal and entered as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design. They then changed the material to fiberglass in 1950, and today the chairs are made of recyclable polypropylene. Charles was dissatisfied with the fiberglass, and it wasnt until after his death that the matte finish he desired was achieved, thanks to advances in materials. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The deep seat pocket and waterfall seat edge keep you comfortable by reducing pressure on the backs of thighs. This is an authentic chair by Herman Miller, Inc. Eames is a licensed trademark of Herman Miller. Made in U.S.A. DSW stands for dining height, side chair with wood base. Materials: Injection-molded batch-dyed recyclable polypropylene; walnut, maple, ebony-stained ash or white ash dowels; black or white powder-coated or chrome-plated steel base. Measurements:H 31.75" W 18" D 21" Seat H 17.25"

Defined by its dependable bentwood construction and simple organic form, the graceful, lightweight and surprisingly strong Era Collection (1859) has been in continuous production for more than 150 years. By making the chair back and rear legs from a single piece of curved wood, designer Michael Thonet, who perfected the bentwood process for chair-making, eliminated the need for expensive and time-consuming hand-carved joints. Swiss architect Le Corbusier used the Era Chair in his buildings, stating, “This chair, whose millions of representatives are used on the Continent and in the two Americas, possesses nobility.” Other fans of this iconic form included Pierre-Auguste Renoir and Henri de Toulouse-Lautrec, both of whom featured this chair in their paintings. As with any natural material, slight variations in the texture and color of the wood are to be expected and are not defects. Made in the Czech Republic at a factory that’s been making chairs for more than a century. Materials: Solid beech wood from FSC-certified sources; beech plywood seat; natural beech finish or water-based stain and varnish or lacquer finish; nylon floor glides. Measurements:H 30.75" W 21.5" D 22.5" Seat H 19" Arm H 27.75"

DWR Exclusive Son of a draftsman and a homemaker, Bernard-Albin Gras was born in Saint-Raphaël, France, in 1886. He would become an engineer and tireless inventor who registered dozens of patents, including one for Lampe Gras (1921). A product of Gras passion to improve working conditions for hundreds of laborers in ordinary machine shops, research laboratories and design studios in the 1920s, this lighting solution is capable of meeting the needs of many different users. The architect Le Corbusier seized upon the design, which satisfied the demands of his ideology about the perfect object-tool: a form reduced to its pure function, free of superfluous ornament. Corbu furnished his design offices and architectural projects with Lampes Gras, and other early adopters included Eileen Gray, Man Ray and Robert Mallet-Stevens. The cast steel frames are made without screws or welded joints; all parts contribute to utmost effectiveness of the whole. Bulb (not included): LED, CFL or incandescent; E12 base; 40W max. Made in China. Materials: Cast steel body; chrome finish or matte black or white powder-coated finish; Bakelite sphere motion component. Measurements:Wall Bracket 47.75" Lamp Arm 31.5" Shade Diameter 8.25" Cord L 120", 11.2 lbs.

Defined by its dependable bentwood construction and simple, organic form, the graceful, lightweight and surprisingly strong Era Chair with Cane Seat (1859) has been in continuous production for more than 150 years. By making the back of the chair and rear legs from a single piece of curved wood, designer Michael Thonet, who perfected the bentwood process for chair-making, eliminated the need for expensive and time-consuming hand-carved joints. The Era Chair with Cane is suitable for residential and commercial use and remains a staple in cafes and restaurants around the globe. As with any natural material, slight variations in the texture and color of the wood are to be expected and are not defects. Made in the Czech Republic. Materials: Solid European beech wood from FSC-certified sources; caned seat; water-borne stain and varnish or lacquer finish; nylon floor glides. Measurements:H 33.25" W 16.25" D 20.5" Seat H 18.5"

DWR Exclusive Owner of more than 400 patents, self-taught inventor Poul Cadovius constantly sought smarter solutions for everything from furniture to bus shelters to sailboats. In the mid-1940s, he devised an ingenious wall-mounted shelving system to save floor space: the Royal System (1948). After the systems introduction, Cadovius three-employee firm soon became the largest furniture manufacturer in Denmark, exporting to countries worldwide. In 2010, Cadovius gave the rights to produce the design to Danish company dk3. A year later, he died at the age of 99, but the project continued under the watchful eye of his widow, Evy, who made sure it stayed true to her husbands high standards. The most successful furniture collection in Denmark for three decades, the Royal System is back in production and available only at DWR. Use it in entryways, living rooms, kitchens, dining rooms, bedrooms – wherever you want to lift space-stealing furniture off the floor and have more room for living. All pieces are finely crafted using time-honored techniques perfected over centuries by Danish woodworkers. Assembly not included with White Glove delivery service. Made in Denmark. Shelves will flex very slightly over time but will still retain their structural integrity. We recommend a weight limit of 35 pounds per shelf to maintain a straight profile. For additional storage, add the Extension Unit. Desk Shelf weight capacity: 55 pounds. Materials: Solid walnut or soaped oak rails; MDF with walnut or soaped oak veneer shelves; raw brass hangers (with walnut, meant to patina over time) or stainless steel hangers (with oak). Measurements:H 78.75" W 32.75" D 23.75" Shelf D 9.5"

DWR Exclusive The Kayu Teak Dining Table (2009) is a combination of straightforward design and robust natural wood. Crafted of solid planks of teak, these pieces are left unfinished to allow for an inviting patina that requires very little maintenance, just soap and water. Both the Dining Table and coordinating bench (sold separately) are made from Indonesian teak, which is harvested from strictly managed plantations, ensuring the woods sustainable origins. Assembly required. The warmth of the straightforward, all-wood design complements modern or traditional interiors. Through sanding – which is the only processing done to this wood – natural oils are brought to the surface to create an incredible luster. Designed to coordinate with the Kayu Teak Bench (sold separately), but can also be paired with a variety of seating solutions. Materials: Solid, unfinished teak. Measurements:H 30" W 78.75" D 39.5"

The Series 7 Chair (1955) debuted in Sweden at the Helsingborg exhibition of 1955, or H55. One of the most copied chairs of the modern era, it features an ideal shape for the human form, with a back that offers just the right amount of give to keep your upper body comfortable and a waterfall seat that supports your legs without pressing into them. Arne Jacobsen, instilled with a love of materials, shaped the core of Danish design identity with this chair by forming it from one piece of plywood that he cleverly narrowed in the middle to accommodate three different bends. Once painstakingly made by hand, Series 7 is now crafted using automation methods borrowed from the German car industry and monitored by a team that ensures every single chair is perfect. Suitable for commercial use. Stacks six high. This is the authentic Series 7 Chair by Republic of Fritz Hansen. Made in Denmark. Colored ash is a durable stain that keeps the wood grain visible, making each chair unique. Lacquered veneer is a glossy finish with no visible wood grain, making chairs uniform. Natural veneer also keeps the wood grain visible, making each chair unique. Choice is a special edition that features legs electroplated with 22-karat rose gold. Materials: Pressure-molded sliced veneer shell with outer layer in lazur-painted ash veneer, lacquered ash veneer or natural wood veneer; tubular steel frame with chrome- or gold-plated finish. Measurements:H 31" W 20.5" D 20" Seat H 18.3"

DWR Exclusive Son of a draftsman and a homemaker, Bernard-Albin Gras was born in Saint-Raphaël, France, in 1886. He would become an engineer and tireless inventor who registered dozens of patents, including one for Lampe Gras (1921). A product of Gras passion to improve working conditions for hundreds of laborers in ordinary machine shops, research laboratories and design studios in the 1920s, this lighting solution is capable of meeting the needs of many different users. The architect Le Corbusier seized upon the design, which satisfied the demands of his ideology about the perfect object-tool: a form reduced to its pure function, free of superfluous ornament. Corbu furnished his design offices and architectural projects with Lampes Gras, and other early adopters included Eileen Gray, Man Ray and Robert Mallet-Stevens. The cast steel frames are made without screws or welded joints; all parts contribute to utmost effectiveness of the whole. Bulb (not included): LED, CFL or incandescent; E12 base; 40W max. Made in China. Materials: Cast steel body; chrome finish or matte black or white powder-coated finish; Bakelite sphere motion component. Measurements:H 12"–15.75" Shade Diameter 5.5" Base Diameter 4.75", 9 lbs.

Defined by its dependable bentwood construction and simple form, the contract-quality Era Chair (1859) has been in continuous production for more than 150 years. By making the back of the chair and rear legs from a single piece of curved wood, designer Michael Thonet – who perfected the bentwood process for chair-making – eliminated the need for expensive and time-consuming hand-carved joints. The resulting chair is graceful, lightweight and surprisingly strong – the latter of which has been continually proven in cafés and restaurants all over the globe. As with any natural material, slight variations in the texture and color of the wood are to be expected and are not defects. Made in Czech Republic. Materials: Solid European beech wood from FSC-certified sources; natural cane seat; water-borne stain and varnish or lacquer; nylon floor glides. Measurements:H 31.5" W 23.5" D 24" Seat H 18.5" Arm H 27"

Charles and Ray Eames believed that design is a method of action, and they continually updated their work as new materials became available. Their Molded Plastic chairs were originally designed in metal and entered as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design. They then changed the material to fiberglass in 1950, and today the chairs are made of recyclable polypropylene. Charles was dissatisfied with the fiberglass, and it wasnt until after his death that the matte finish he desired was achieved, thanks to advances in materials. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The deep seat pocket and waterfall seat edge keep you comfortable by reducing pressure on the backs of thighs. This is an authentic chair by Herman Miller, Inc. Eames is a licensed trademark of Herman Miller. Contract quality. Made in U.S.A. DSR stands for dining height, side chair, rod base. Commonly referred to as the Eiffel chair (because of the shape of the base). Materials: Injection-molded batch-dyed recyclable polypropylene; black or white powder-coated or chrome-plated steel base; leveling floor glides. Measurements:H 31.5" W 18" D 21.5" Seat H 17.5"

With his iconic seating collection, Harry Bertoia transformed industrial wire rods into a new furniture form. The events that made this work possible began a decade earlier at Cranbrook Academy of Art, when Bertoia met Florence Knoll (then Florence Schust). Years later, the Italian-born designer was invited to work for Florence and her husband, Hans Knoll. Bertoia was given the freedom to work on whatever suited him, without being held to a strict design agenda, and the result of this arrangement was the Bertoia Seating Collection (1952). Featuring a delicate filigreed appearance thats supremely strong, these airy seats are sculpted out of steel rods. In his art, Bertoia experimented with open forms and metal work, and these chairs were an extension of that work. If you look at the chairs, they are mainly made of air, like sculpture, said Bertoia. Space passes through them. After designing his seating collection, Bertoia returned to focusing mostly on sculpture. This is the authentic Bertoia Diamond Lounge Chair produced by Knoll. The Knoll logo is stamped into its base. Chair made in Italy; seat pad made in U.S.A. In honor of Bertoias 100th birthday, Knoll has introduced a version of this classic finished in 18-karat plated gold. Black and White frames can be used outdoors with limited exposure to the elements. Chrome and Gold frames are not for outdoor use. Vinyl seat pad can be used outdoors and is secured to chair with metal snaps. Bouclé full cover is not for outdoor use. Materials: Welded steel rods; polished chrome finish with chrome connections, 18K gold plated with stainless steel connections or bonded Rilsan® finish with stainless steel connections; vinyl seat pad (65% polyester, 35% rayon) or KnollTextiles Classic Bouclé upholstery (57% nylon, 43% wool). Measurements:H 30" W 33.5" D 28.25" Seat H 16.5"

DWR Exclusive A DWR best-seller for over a decade, the Bantam Collection (2004) celebrates the soft, less-machined brand of modernism that arose in the United States in the 1930s. Delivering physical comfort as well as aesthetic pleasure, the entire frame is lightly padded and finely upholstered with a fitted back and a single row of button tufting. Matching piping along the seams reinforces the clean lines of Bantams frame. Tapered solid wood legs lend visual lightness. Made in U.S.A. Legs finished in a rich walnut stain. For legs in a honey or coffee finish, contact a DWR Studio or call us at 1.800.944.2233. Materials: Kiln-dried, corner blocked hardwood frame; sinuous wire springs; polyurethane foam with down-proof ticking; stained walnut legs; fabric or leather upholstery. Measurements:H 31.5" W 35" D 33" Seat H 18.5" Arm H 24"

Charles and Ray Eames believed design is a method of action, and they continually updated their work as new materials became available. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The duo originally designed their molded chair in metal and entered it as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design, then refashioned it in light yet strong fiberglass just two years later. In the 1980s, after determining fiberglass production was detrimental to the environment, Herman Miller ceased production to explore more sustainable options, eventually choosing recyclable polypropylene. The company never quite forgot about fiberglass, however, and it recently began researching greener production methods. The Eames Molded Fiberglass Chair (1950) is the end result, constructed using a cleaner process but true to the original with its beloved variegated surface. This reintroduced version comes in a range of reformulated semi-gloss color pigments that faithfully reproduce the vintage ones. Its deep seat pocket and waterfall edge keep you comfortable by reducing pressure on the backs of your thighs. The seat back is left unfinished to maintain a slightly rough natural texture for easier gripping with your hands. This is an authentic Eames product by Herman Miller. Made in U.S.A. DFSX stands for dining-height fiberglass side chair with X-base, which is a bit abstract because you have to turn over the chair to see how its base forms an X. Made of 99% recyclable materials and covered by Herman Millers take-back program for environmentally sound recycling (should you ever wish to part with this chair). Materials: Fiberglass-reinforced plastic seat; black or white powder-coated or chrome-plated steel base; leveling floor glides. The process for making shells and the nature of fiberglass mean that each shell is unique and can possess traits such as tiny cavities in the surface, small points of lighter or darker color, or faint circular shadows where base attaches to shell. Measurements:H 31.75" W 18.5" D 21" Seat H 16.5"

Saving a factory and helping the employees keep their jobs was not something Peter Bowles thought hed be doing when he designed his first bone china light. The story begins in Stoke-on-Trent, the heart of the British ceramics industry, where its prized porcelain has been produced for more than three centuries. Bowles convinced a tableware factory to produce his first design, but as the orders started to come in, he learned the factory would be closing. Rather than moving production overseas, Bowles bought the factory and offered the entire staff new jobs with his company, Original BTC. The Drop 1 Pendant (2000) is beautifully crafted of hand-cast bone china. Creating these lights involves a highly skilled, labor-intensive process that begins with raw clay and ends with biscuit firing, glazing, glossing and firing again. When lit, the shade has a translucent glow that allows for warm diffused light. Attention to detail is at the heart of every Drop 1 Pendant, right down to the braided cord, which was designed by Peter and can be found on every light his company makes. Drop is UL Listed and suitable for contract use. Bulbs (not included): 40W/120V/E26. Made in England. Materials: Natural bone china shade and ceiling rose; braided cotton covered cord. Measurements:6 Pendants: H 9.5" W 6" D 6" Cord L 59" each, 13 lbs. total

Charles and Ray Eames believed "design is a method of action," and they continually updated their work as new materials became available. "The chair that Charles and Ray were designing," explains grandson Eames Demetrios, "is the chair that's made tomorrow ." The duo originally designed their molded chair in metal and entered it as a prototype in MoMA's 1948 International Competition for Low-Cost Furniture Design, then refashioned it in light yet strong fiberglass just two years later. In the 1980s, after determining fiberglass production was detrimental to the environment, Herman Miller ceased production to explore more sustainable options, eventually choosing recyclable polypropylene. The company never quite forgot about fiberglass, however, and it recently began researching greener production methods. The Eames Molded Fiberglass Chair (1950) is the end result, constructed using a cleaner process but true to the original with its beloved variegated surface. This reintroduced version comes in a range of reformulated semi-gloss color pigments that faithfully reproduce the vintage ones. Its deep seat pocket and waterfall edge keep you comfortable by reducing pressure on the backs of your thighs. The seat back is left unfinished to maintain a slightly rough natural texture for easier gripping with your hands. This is an authentic Eames product by Herman Miller. Made in U.S.A. DFSW stands for dining-height fiberglass side chair with wood base. Made of 99% recyclable materials and covered by Herman Miller's take-back program for environmentally sound recycling (should you ever wish to part with this chair). Materials: Fiberglass-reinforced plastic seat; maple, walnut, ebony-stained ash or white ash dowels; black or white powder-coated wire. The process for making shells and the nature of fiberglass mean that each shell is unique and can possess traits such as tiny cavities in the surface, small points of lighter or darker color, or faint circular shadows where base attaches to shell. Measurements:H 31.75" W 18.5" D 21" Seat H 17"

Charles and Ray Eames had ideas about making a better world, one in which things were designed to bring greater pleasure to our lives. Their iconic Eames Lounge Chair (1956) began with a desire to create a chair with the warm, receptive look of a well-used first basemans mitt. The result has become the consummate lounge. In continuous production since its introduction, the Eames Lounge Chair is widely considered one of the most significant designs of the 20th century. Pairing soft, inviting leather with the sleek form of molded wood, this piece was the culmination of the Eameses efforts to create a club chair using the molded plywood technology that they pioneered in the 40s. Even today, each piece is assembled by hand to ensure the highest level of quality and craftsmanship, and youll be pleased to discover that this chair gets even better with use and age. The configuration of this chair is a registered trademark, and this is the authentic Eames Lounge Chair by Herman Miller. Made in U.S.A. Materials: Seven-ply walnut or santos palisander veneer; molded plywood frame; die-cast aluminum swivel base and back braces; polyurethane foam cushions; stainless steel leveling floor glides; Spinneybeck® Vicenza leather upholstery. Measurements:H 32" W 32.75" D 32.75" Seat H 15"

DWR Exclusive The simplicity of the naked bulb is hard to compete with, says Swedish designer Mattias Ståhlbom of his E27 Pendant (2008). Ståhlbom has distilled the idea of a pendant to its essence: just a socket, bulb and cord. The name of this pendant comes from the 27mm Edison screw base (or E27) developed by Thomas Edison for the incandescent light bulb. Made of indelible silicone, the socket won't retain heat and resists fading over time. The E27 can be hung singly, in pairs, in a row or in a cluster. Requires hardwired installation. Bulb (included): incandescent G40/40W. UL Listed. Made in China. Materials: Silicone base; silicone-covered cord. Measurements:H 9.25" W 5" Cord L 13', 1.3 lbs.

DWR Exclusive Early in his career, Italian designer Luciano Bertoncini had a chance meeting with the legendary Joe Colombo, who chose one of Bertoncinis products to feature in his catalog. The exposure he received from that placement led to an invitation to contribute to the famous 1972 exhibition Italy: The New Domestic Landscape at MoMA in New York. Today, Bertoncini is a furniture designer working from his studio in Treviso, serving the needs of clients around the world. It takes a skilled designer to make a metal bed look elegant rather than institutional, and his Min Bed (2003) has been a best-selling product in our assortment since its debut. Combining high-quality materials and expert construction with a basic slat platform, the Min provides constant ventilation for your mattress (which is crucial for memory foam). Bed ships flat; simple assembly required. Made in Italy. This bed is compatible with our Sonno Mattress. Platform sits a few inches below frame. Materials: Matte or powder-coated aluminum frame; wood slats with rubber inserts; felt glides. Measurements:Twin: H 12" W 40" D 76" Platform Height 9.5" Full: H 12" W 55.5" D 76.5" Platform Height 9.5" Queen: H 12" W 63" D 82" Platform Height 9.5" King: H 12" W 78.5" D 82.5" Platform Height 9.5" Cal King: H 12" W 74.25" D 85.5" Platform Height 9.5"

Red hand-knotted Design Within Reach area rug with brand tag at interior. For our oversize Art & Home items such as Furniture and Area Rugs, we provide a White Glove delivery service which includes in-room delivery, assembly and removal of packing materials. Our deliveries typically take 4 to 6 weeks from the time the order is placed.

In 1944, Niels Otto Møller began his cabinetry company, where old craft traditions, like the hand-woven seat on the Model 80A Stool (1963), are still used today. Danish cord seats are known for their durability easily withstanding decades of frequent use and the strength of this material made it a smart substitute for tires when rubber was in short supply during WWII. What's amazing about that history is that Danish cord is made of tightly twisted paper. Being a natural material, Danish cord is very pleasant to sit on and the way that it's woven provides lasting comfort. Thirty years after he founded his company, Niels Otto Møller began exporting his chairs to Japan, which remains one of its biggest markets due to the simplicity and quality of the design and craftsmanship. Møllers is still a small family-owned business and is now managaged by Niels' son, Jørgen Henrik Møller. This Stool is an authentic, fully licensed product of J.L. Møllers Møbelfabrik. The seat is woven by hand from one continuous 498-foot-long piece of cord. To make the frames, the company selects the raw wood themselves from environmentally friendly areas. Machines are never used for the final polish, as these devices treat all wood the same and can’t replicate the finish that comes from polishing by hand. Materials Teak or walnut frame; woven paper seat in natural.

DWR Exclusive The Thin Strip Cowhide Rug is a neutral area rug that complements a modern aesthetic with its interesting patchwork effect and soft texture. Its produced by carefully sewing varied individual strips of hide together with thick polyester threading, resulting in a durable piece that stands up to foot traffic. Each one is unique, with its own distinct natural markings. Can be washed with mild soap and water and swept or vacuumed clean. Rug pad recommended. Made in Argentina. Very slight color variances may be seen throughout this rug. Materials: Natural cowhide; polyester threading; cotton and canvas backing. Measurements:Small: L 8'6" W 5'6" Medium: L 10' W 8' Large: L 12' W 10'

Originally designed for the canteen at Novo Nordisk, an international Danish healthcare company, the Ant Chair (1952) faced an unclear future when the manufacturer expressed concern about its potential. But Arne Jacobsen believed in his product and offered to buy all the chairs if they didnt sell. Of course, he never had to make good on that offer, as the Ant Chair quickly became an international success. Jacobsen shaped the core of Danish design identity when he accommodated three different bends in one piece of plywood, simply by narrowing the chair back. This chair is ideally suited to the human body. Its seatback has a comfortable give, and its waterfall seat edge doesnt press into legs. Stackable up to six high. This is the authentic Ant Chair by Republic of Fritz Hansen. Made in Denmark. Colored Ash is a durable stain that keeps the wood grain visible, making each chair unique. Grey Oak is a special edition with painted oak veneer shell and steel frame with bronze finish. Materials: Pressure-molded sliced veneer shell with outer layer in lazur-painted ash or oak veneer; tubular steel frame with polished chrome or matte bronze finish. Measurements:H 31.75" W 20" D 19" Seat H 18.25"

Furniture that is too obviously designed, said Milo Baughman, is very interesting, but too often belongs only in museums. While we could certainly see his Drum Table (1970s) in a museum, it would earn its place there for its simplicity and lack of unnecessary ornamentation. Distilling the idea of an occasional table to its simplest form, Baughmans cylindrical design draws you in with its smoothness and warmth. It features seams that are painstakingly welded, ground and polished by hand until they blend in as much as possible. Once constructed, Drum is coated with bronze, oxidized and hand-relieved to give it a unique patina, eschewing the sterility of machine-made pieces. It includes leveling floor glides to compensate for uneven surfaces. Made in U.S.A. Materials: Steel with brushed bronze finish. Measurements:H 17" Diameter 36"

The concept of symmetry is beautifully manifested in the joined wings of Sori Yanagi's Butterfly Stool. Executed using the pressed plywood molding technique invented by Charles and Ray Eames, this graceful stool marries ancient Japanese forms with modern Western materials. First designed and manufactured in 1954, it now resides in the Museum of Modern Art and Metropolitan Museum of Art, among other fine museums worldwide. Simple assembly required. Materials: Curved maple or curved rosewood with brass-finished connector. Measurements:H 15.5" W 17" D 12.5"

Jean Prouvé's EM Table (1950) exhibits a dynamic relationship between the base and tabletop, following in the footsteps of such iconic designs as the Parsons table, the Eames Round Table and Le Corbusier's glass-topped table. Made of sheet metal, each tapered leg is turned out and angled on a diagonal slant to distribute the downward flow of energy on the table, making an incredibly sturdy surface for working or dining. The tabletop is finished in smooth oak veneer and lends a warm counterpoint to the table's mechanical efficiency. Reproduced to exacting standards by Vitra. Made in Germany. Materials: Black lacquered metal legs and tubular cross brace; oak veneer tabletop. Measurements:H 28.5" W 79" D 35.5"

After refining their molded plastic chairs, Charles and Ray Eames began experimenting with making a chair from welded wire. To succeed, the Eameses had to figure out how to create a design with the strength they needed while keeping manufacturing costs as low as possible. Ultimately, they decided on using lighter-gauge wire doubled over into a rim that sandwiches heavier inner wire to form their Eames Wire Chair (1951), which won them their first American mechanical design patent. Its organic shape and airy silhouette are complemented by whats commonly referred to as an Eiffel base (because of its trademark shape). This is an authentic Eames product by Herman Miller. Commercial quality. Made in U.S.A. DKR.0 stands for dining height, K-wire shell, rod base, no seat pad. Materials: Chrome-plated steel; leveling floor glides. Measurements:H 32.75" W 19" D 21.25" Seat H 18.5"

Made from 111 recycled plastic Coke® bottles, this chair is the result of a special collaboration between Emeco and Coca-Cola®. It took four years of research, design and testing to create it, the production of which keeps three million plastic bottles out of landfills every year. The 111 Navy Chair (2010) not only celebrates the iconic form of the aluminum 1006 Navy® Chair designed in 1944 but also adds a pop (pun intended) of color. One of the few plastic chairs to be built with leg stretchers, this chair will stand up to frequent use. Red, white and flint are suitable for outdoor use. This is the authentic 111 Navy Chair by Emeco. Made in U.S.A. The Navy Chair design constitutes the proprietary Trade Dress of Emeco, making it illegal for another company to clone this chair. Materials: 65% recycled post-consumer PET (plastic bottles); 35% pigment, glass fiber and fire inhibitor. Measurements:H 34" W 15.5" D 19.5" Seat H 18"

It is shocking to think of Finn Juhl designing this sculptural chair in 1940 – that was more than 75 years ago, and the Pelican Chair is still out there by todays standards. With graceful curves that befriend the body and wrap the sitter in its embrace, the Pelican is true to Juhls idea that a chair is not just a product of decorative art in a space, it is a form and a space in itself. And while the influence of contemporary sculpture is clear, Juhl was quick to clarify that furniture is furniture, not sculpture. The upholstery is hand-sewn onto the frame; some colors (see below) are finished with tufted buttons. This original is an authentic, fully licensed product of House of Finn JuhlTM. Made in Denmark. Colors with tufted buttons: grey with red cushion and red buttons; teal with light blue cushion and light blue buttons; cream with leather sand cushion and leather sand buttons. Materials: Steel frame molded in hard cellular plastic and MDI; walnut legs; canvas-linen bottom cover; 100% recyclable Pantera foam and cotton fiber padding; hand-sewn double-stitched upholstery. Teal/Blue: Kvadrat Divina 3 (100% wool) with tufted buttons. Charcoal Grey, Plum and Tan/Brown: Kvadrat Divina Melange (100% wool). Cream: Kvadrat Hallingdal (70% wool, 30% viscose). Cream/Sand: Kvadrat Hallingdal (70% wool, 30% viscose) with leather seat and tufted buttons. Grey/Red: Kvadrat Remix (90% new worsted wool, 10% nylon) with tufted buttons. Charcoal, Gold, Indigo and Red: Kvadrat Canvas (90% wool, 10% nylon). Measurements:H 26.75" W 33.5" D 30" Seat H 14.5"

DWR Exclusive Sol y Luna (1954) is an adaptation of Dan Johnson's Gazelle Collection, which was originally offered in wood or bronze, both with woven caning for the seat and back. However, due to the high cost of production and the intense hand labor involved, fewer than 150 pieces from the Gazelle line were ever produced. Now made in durable cast aluminum by outdoor manufacturer Brown Jordan, the design maintains Johnson's comfortable organic form. These pieces are shaped with the body in mind. The Lounge Chair back wraps around you, and the seats are comfortably sloped for support in a relaxed position. Seat Pad sold separately. Suitable for indoor and outdoor use. Made in Mexico. Materials: Cast aluminum with powder-coated finish. SEAT PAD, 100% solution-dyed acrylic Suncloth® fabric. Measurements:H 27'' W 24" D 28'' Seat H 14"

Charles and Ray Eames believed design is a method of action, and they continually updated their work as new materials became available. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The duo originally designed their molded chair in metal and entered it as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design, then refashioned it in light yet strong fiberglass just two years later. In the 1980s, after determining fiberglass production was detrimental to the environment, Herman Miller ceased production to explore more sustainable options, eventually choosing recyclable polypropylene. The company never quite forgot about fiberglass, however, and it recently began researching greener production methods. The Eames Molded Fiberglass Chair (1950) is the end result, constructed using a cleaner process but true to the original with its beloved variegated surface. This reintroduced version comes in a range of reformulated semi-gloss color pigments that faithfully reproduce the vintage ones. Its deep seat pocket and waterfall edge keep you comfortable by reducing pressure on the backs of your thighs. The seat back is left unfinished to maintain a slightly rough natural texture for easier gripping with your hands. This is an authentic Eames product by Herman Miller. Made in U.S.A. DFAW stands for dining-height fiberglass armchair with wood base. Made of 99% recyclable materials and covered by Herman Millers take-back program for environmentally sound recycling (should you ever wish to part with this chair). Materials: Fiberglass-reinforced plastic seat; maple, walnut, ebony-stained ash or white ash dowels; black or white powder-coated wire. The process for making shells and the nature of fiberglass mean that each shell is unique and can possess traits such as tiny cavities in the surface, small points of lighter or darker color, or faint circular shadows where base attaches to shell. Measurements:H 31.5" W 25" D 23.25" Seat H 18" Arm H 26.25"

Designed by midcentury Danish master Arne Jacobsen, Grand Prix (1957) didn’t just win the most prestigious award at the Triennale di Milano – it was named for it. Originally introduced at the Danish Museum of Art and Design in 1957, it was displayed later that year in Milan, where it took both the Grand Prix award and name. Jacobsen applied his expert understanding of the human form and wood molding techniques to create this lightweight, durable chair, still ideal for a wide range of commercial and residential applications. Its molded plywood seat is shaped to comfortably support the body. This is the authentic Grand Prix by Republic of Fritz Hansen. Made in Denmark. Colored Ash is a durable stain that keeps the wood grain visible, making each chair unique. Materials: Pressure-molded sliced veneer shell with outer layer in lazur-painted ash veneer; tubular steel legs with polished chrome finish. Measurements:H 31.75" W 19.75" D 19.75" Seat H 18.5"

The name Studio 7.5 comes from an idea to rent a 7.5-ton truck, put a model shop in it and drive from one project to another. Freedom of movement is important for founding designers Claudia Plikat, Burkhard Schmitz and Carola Zwick, who move freely – and smartly – in the creation of their products. Everybody does everything, says Schmitz. Thats how we cultivate ideas and maintain our openness and curiosity. In its expression of pure geometry and color, their Polygon Table (2015) provides an elegant solution to the need for all manner of surfaces in the home, office and elsewhere. Its named for its base, which features three polygon-shaped sides. Use one on its own as a side or coffee table, or group several together to form organic compositions. The smooth Formcoat top is durable and easy to clean. Floor glides protect delicate surfaces. Made in U.S.A. Materials: Formcoat® powder-coated epoxy over MDF top; painted metal base; plastic floor glides. Measurements:H 14" Diameter 46"

DWR Exclusive Finnish designer Mika Tolvanen, winner of the prestigious Bruno Mathsson Award of 2012, named his simple basket Restore because its constructed of polymer felt made from recycled PET bottles. This eco-friendly approach is something that can be found in many of the projects Tolvanen has worked on since earning his masters degree in design from the Royal College of Art in 2001. Perfect for holding magazines, toys or even firewood, the Restore Basket (2009) holds its shape but is made of a soft material that wont scratch tabletop surfaces. I wanted the basket to have a non-obtrusive nature, says Tolvanen. And to give it a form that has a friendly appearance. Made in China. Materials: Polymer felt made from recycled PET bottles. Measurements:H 4.75" W 15.5" D 12.5"

The compact footprint of the Salt Chair makes it a smart choice for cafés or just about anywhere you need to maximize seating. Unlike chairs that have widely splayed legs, a Salt Chair can be placed side by side with another without wasting space in between. Its lack of ornamentation and unnecessary excess lends this timeless, Shaker-style chair a modern feel. And no, its not named after its color – until recently, its been available only in black. Rather, it owes its title to being as fundamental as the salt shaker on your table. Constructed of solid oak or finished in a water-based opaque paint that really makes the chairs profile pop, Salt is unpretentious, familiar and made for everyday use. Made in the Czech Republic. Materials: Solid beech wood and plywood with painted finish or solid oak. Measurements:H 33.25" W 16" D 15.75" Seat H 17.75"

DWR Exclusive The Matera Collection (2007), focused on delivering ample storage, is the work of Sean Yoo, who at the time of its conception lived in Matera, Italy (thus its name). Born in Seoul, Yoo grew up in Los Angeles and was working as a city planner when a visit to the Noguchi Museum in New York inspired him to pursue design. I was particularly attracted to the way Noguchi applied sculptural qualities to common household objects, says Yoo. It seemed to give meaning and purpose to otherwise meaningless objects. The Matera Collection features clean lines nicely finished with beveled edges, running match wood grain and exposed-slot mortise-and-tenon corner joints. All pieces have slotted bases that lend an airy feel. The Matera Bed with Storage has full-extension side drawers that rest off the floor (six drawers for all sizes except the twin, which has three drawers on one side). Made in Malaysia. This bed requires no box spring and is compatible with our Sonno Mattress. Materials: Solid walnut or oak case frame, bed rails and drawer fronts; walnut or oak veneer over MDF headboard and footboard with thick solid walnut or oak edging; 0.5" solid ash bed slats; vacuum-closing drawer glides. Measurements:Twin H 38" W 43.5" D 77.5" Platform H 15"

Born in Denmark, Morten Gøttler opened his own drawing office in 1975 and became a Member of Danish Designers (MDD), a Copenhagen-based multidisciplinary association of professional designers, in 1981. Gøttler is known for his work in wood, which is characterized by a simple, airy look and exquisite feel. His Cuba Lounge Chair (1997) is one such piece, with its clean and smooth profile and hand-woven cotton straps that conform to the body. As sturdy as it is alluring from all sides, the chair features a rugged frame assembled with spigot joints and held together by heavy-duty brass hinge mechanisms. This light and flexible chair will be equally at home in the modern living room, an open kitchen or similar setting, and it folds for easy storage when not in use. Made in Denmark. Materials: Solid Danish oak frame; lacquer or vegetable oil-based soap-flake finish; cotton straps. Measurements:H 30" W 24" D 31.25" Seat H 15.5"

DWR Exclusive Wrap yourself in this luxuriously soft Mohair Throw and you'll understand why mohair, which is made from the hair of the Angora goat, has been prized since the 1500s. As warm as a hug, the high-quality mohair fibers are naturally durable and breathable. Mohair's inherent strength and flexibility has led to its use in a wide range of applications since Angora goats were brought to the West in the mid-1800s – from blankets and scarves to train seats and cowboy's chaps. Using all-natural vegetable dyes and only natural fibers, our 100% brushed Mohair Throw was woven at a mill in County Wicklow, Ireland, which has been manufacturing tweeds and blankets since 1723. Made in Ireland. Materials: 70% mohair; 30% pure wool Measurements:L 72" W 57"

The name Studio 7.5 comes from an idea to rent a 7.5-ton truck, put a model shop in it and drive from one project to another. Freedom of movement is important for founding designers Claudia Plikat, Burkhard Schmitz and Carola Zwick, who move freely – and smartly – in the creation of their products. Everybody does everything, says Schmitz. Thats how we cultivate ideas and maintain our openness and curiosity. In its expression of pure geometry and color, their Polygon Table (2015) provides an elegant solution to the need for all manner of surfaces in the home, office and elsewhere. Its named for its base, which features three polygon-shaped sides. Use one on its own as a side or coffee table, or group several together to form organic compositions. The smooth Formcoat top is durable and easy to clean. Floor glides protect delicate surfaces. Made in U.S.A. Materials: Formcoat® powder-coated epoxy over MDF top; painted metal base; plastic floor glides. Measurements:H 18" Diameter 32"

Midcentury Danish design master and “chair-maker of chair-makers” Hans Wegner never saw quality and quantity as mutually exclusive. An innovator of organic functionalism, he designed more than 500 chairs in his lifetime, many of which are heralded as design icons. His CH88 Stacking Chair (1955) is but one of them, fusing warm wood and industrial steel in one unified form. It combines a steam-molded wooden back with upturned ends to provide a natural resting place for your arms and an oval wooden seat on a tubular steel frame. Carl Hansen & Sn launched the CH88 Stacking Chair in 2014 to commemorate the 100th anniversary of Wegner’s birth. Stacks up to four high. Made in Denmark. Materials: Oiled oak seat and back; tubular stainless steel frame. Measurements:H 30.25" W 22.5" D 17.5" Seat H 17.5"