Design Within Reach Home & Living

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Design Within Reach Maharam Pillow in Pebble Wool
Design Within Reach Maharam Pillow in Pebble Wool

DWR Exclusive The Maharam Design Studio specializes in the design and development of textiles for commercial and residential interiors. Balancing an appreciation of history with a focus on aesthetic and industrial innovation, Maharams textiles are in the permanent collections of the Art Institute of Chicago, Cooper Hewitt and MoMA, among others. Woven in Scotland, where fine wool products have been made for centuries, Pebble Wool (1999) depends entirely on construction and materials for its unique character, featuring nubby texture with a highly textured wool bouclé yarn in the fill. Fabric made in the U.K. Materials: Fabric pillowcase (90% wool, 10% nylon); cotton ticking; feather filling. Measurements:L 21" W 11" L 17" W 17" L 26" W 18"

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Design Within Reach Cobra Wall Sconce
Design Within Reach Cobra Wall Sconce

Swedish architect and designer Greta Magnusson Grossman broke through gender barriers to embark on a prolific career. In 1940, she and her husband immigrated to the United States, where her approach to Swedish modernism struck a chord with single, professional women who felt that she understood their needs and sensibilities. She opened a store on Rodeo Drive, where her furniture and accessories quickly drew the attention of clients such as Greta Garbo, Joan Fontaine and Gracie Allen. In the 1950s, she founded her architecture office and designed 14 homes – 13 in California and one in Sweden – each one a showcase for her quietly dramatic approach. The Cobra Lamp (1950), with a profile evoking the flared hood of its namesake, has an oval shade that rotates 360 degrees to direct light where needed. This is an authentic Grossman lamp, produced to the designers original specifications. Bulb (not included): incandescent 40W/E12 or comparable CFL. Made in Denmark. Materials: Powder-coated steel shade and wall plate; solid brass frame and hardware; fabric-covered cord. Measurements:H 13" W 11.5" D 5.5", 2.7 lbs.

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Design Within Reach Hoffmann Side Chair
Design Within Reach Hoffmann Side Chair

Josef Hoffmann is well known for the simple, restrained, yet visually interesting dining chairs – several intended for cafés – that he designed early in the 20th century. The influence of the Arts and Crafts movement can be seen in his work, but Hoffmann also embraced the industrial age. Rather than rejecting traditional decoration, he succeeded in making it serve structural principles, which he believed should determine the forms of buildings, interiors and objects. Whether admiring one of his chairs or the Sanatorium Purkersdorf he designed in 1903, you can see Hoffmanns emphasis on straight, unadorned lines, characteristics that are in keeping with the style of the Viennese Secession. The Hoffmann Side Chair (1925), designed in collaboration with Josef Frank, is made at the bentwood factory founded by Michael Thonet in 1861. Made in the Czech Republic. Materials: Solid European beech wood from FSC-certified sources; caned seat; water-based stain and clear varnish; nylon floor glides. Measurements:H 31.5" W 17.75" D 21" Seat H 18"

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Design Within Reach Eames Molded Fiberglass Dowel-Leg Armchair (DFAW)
Design Within Reach Eames Molded Fiberglass Dowel-Leg Armchair (DFAW)

Charles and Ray Eames believed design is a method of action, and they continually updated their work as new materials became available. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The duo originally designed their molded chair in metal and entered it as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design, then refashioned it in light yet strong fiberglass just two years later. In the 1980s, after determining fiberglass production was detrimental to the environment, Herman Miller ceased production to explore more sustainable options, eventually choosing recyclable polypropylene. The company never quite forgot about fiberglass, however, and it recently began researching greener production methods. The Eames Molded Fiberglass Chair (1950) is the end result, constructed using a cleaner process but true to the original with its beloved variegated surface. This reintroduced version comes in a range of reformulated semi-gloss color pigments that faithfully reproduce the vintage ones. Its deep seat pocket and waterfall edge keep you comfortable by reducing pressure on the backs of your thighs. The seat back is left unfinished to maintain a slightly rough natural texture for easier gripping with your hands. This is an authentic Eames product by Herman Miller. Made in U.S.A. DFAW stands for dining-height fiberglass armchair with wood base. Made of 99% recyclable materials and covered by Herman Millers take-back program for environmentally sound recycling (should you ever wish to part with this chair). Materials: Fiberglass-reinforced plastic seat; maple, walnut, ebony-stained ash or white ash dowels; black or white powder-coated wire. The process for making shells and the nature of fiberglass mean that each shell is unique and can possess traits such as tiny cavities in the surface, small points of lighter or darker color, or faint circular shadows where base attaches to shell. Measurements:H 31.5" W 25" D 23.25" Seat H 18" Arm H 26.25"

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Design Within Reach Tolix Marais A Chair
Design Within Reach Tolix Marais A Chair

DWR Exclusive Metalworker Xavier Pauchard not only brought the art of galvanizing steel to France but also took the process to the next level by creating the Marais A Chair (1934). The quintessential cafe chair, it was both elegant and robust enough to grace the decks of the S.S. Normandie ocean liner. It takes 100 manual operations to create a Tolix chair, and 80 years after the company was founded, the Tolix name is recognized worldwide as best-in-class furniture. Xavier Pauchards Chaise A is a perfect synthesis created by a man possessed of an understanding of raw materials, and the tools used to work them, said Serge Lemoine, former director of Musee dOrsay, Paris. All Tolix furniture is still made in Autun, the same Burgundy town where the company first began. Slight surface abrasions and markings are characteristic of the material and part of its hardworking machine aesthetic. Stackable up to 10 high. Made in France. Tolix products are protected by copyright, making it illegal for another company to clone this chair. At DWR, the Tolix products we sell are 100% authentic. The Marais Collection should be protected from moisture and kept indoors when not in use to maintain its finish. To see a version of this chair specifically for outdoor use, Materials: Sheet steel with epoxy varnish or powder-coated finish; rubber floor glides. Measurements:H 33.5" W 17.5" D 20.25" Seat H 17.75"

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Design Within Reach Eames Molded Plastic Dowel-Leg Side Chair (DSW)
Design Within Reach Eames Molded Plastic Dowel-Leg Side Chair (DSW)

Charles and Ray Eames believed that design is a method of action, and they continually updated their work as new materials became available. Their Molded Plastic chairs were originally designed in metal and entered as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design. They then changed the material to fiberglass in 1950, and today the chairs are made of recyclable polypropylene. Charles was dissatisfied with the fiberglass, and it wasnt until after his death that the matte finish he desired was achieved, thanks to advances in materials. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The deep seat pocket and waterfall seat edge keep you comfortable by reducing pressure on the backs of thighs. This is an authentic chair by Herman Miller, Inc. Eames is a licensed trademark of Herman Miller. Made in U.S.A. DSW stands for dining height, side chair with wood base. Materials: Injection-molded batch-dyed recyclable polypropylene; walnut, maple, ebony-stained ash or white ash dowels; black or white powder-coated or chrome-plated steel base. Measurements:H 31.75" W 18" D 21" Seat H 17.25"

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Design Within Reach Mantis BS3 Table Lamp
Design Within Reach Mantis BS3 Table Lamp

DWR Exclusive Born in Mainz, Germany, in 1924, Bernard Schottlander fled to England as a Jewish refugee in 1939. He worked as a welder for a short stint during the war before delving into sculpture at Leeds College of Art and the Anglo-French art center in St. Johns Wood. A year later, he went on to open his own design studio and began creating new pieces in limited editions. An admirer of Alexander Calder, the American sculptor perhaps best known as originator of the mobile, Schottlander created his Mantis Collection (1951) as an homage. Movement being intrinsic to his work, he devised clever adjustable frames constructed of strong yet flexible steel rods combined with counterweights. He then fabricated shades from aluminum using repoussé and chasing techniques, relying on his trained sculptors eye to produce beautifully flowing shapes that set the symmetrical and asymmetrical in opposition. His lamps – much like his idols mobiles – appear to defy gravity with their floating forms. Bulb (not included): LED, CFL or incandescent; E12 base; 40W max. This is the authentic Mantis Collection. Made in China. Materials: Painted steel arm and base; painted aluminum shade; nickeled brass ball joint. Measurements:H 25"–33" D 20.5"–32" Shade Diameter 8.75"

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Design Within Reach Era Chair with Cane Seat
Design Within Reach Era Chair with Cane Seat

Defined by its dependable bentwood construction and simple, organic form, the graceful, lightweight and surprisingly strong Era Chair with Cane Seat (1859) has been in continuous production for more than 150 years. By making the back of the chair and rear legs from a single piece of curved wood, designer Michael Thonet, who perfected the bentwood process for chair-making, eliminated the need for expensive and time-consuming hand-carved joints. The Era Chair with Cane is suitable for residential and commercial use and remains a staple in cafes and restaurants around the globe. As with any natural material, slight variations in the texture and color of the wood are to be expected and are not defects. Made in the Czech Republic. Materials: Solid European beech wood from FSC-certified sources; caned seat; water-borne stain and varnish or lacquer finish; nylon floor glides. Measurements:H 33.25" W 16.25" D 20.5" Seat H 18.5"

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Design Within Reach Formwork Media Stand
Design Within Reach Formwork Media Stand

Working from their studio in London, American designer Kim Colin and British designer Sam Hecht have been honored with more than 50 international awards, including four IF Gold Awards. Accolades, however, are not why they are in this business. When creating products for Yamaha, Issey Miyake, Herman Miller, Muji and many other companies, Colin and Hecht approach design as a means of simplifying peoples lives in an inspirational way. Their Formwork Collection (2013) is a modular stacking system that brings order to the things that populate our desks. The shapes and sizes of the components were carefully considered so that each contributes to the utility of the whole. The result is a sleek system that brings rhythm and order to everyday tasks. Made in China. Materials: ABS plastic with nonslip silicone base. Measurements:H 1.75" W 11.75" D 8.75"

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Design Within Reach Lampe Gras Model 201 Clamp Lamp
Design Within Reach Lampe Gras Model 201 Clamp Lamp

DWR Exclusive Son of a draftsman and a homemaker, Bernard-Albin Gras was born in Saint-Raphaël, France, in 1886. He would become an engineer and tireless inventor who registered dozens of patents, including one for Lampe Gras (1921). A product of Gras passion to improve working conditions for hundreds of laborers in ordinary machine shops, research laboratories and design studios in the 1920s, this mobile lighting solution is capable of meeting the needs of many different users. The architect Le Corbusier seized upon the design, which satisfied the demands of his ideology about the perfect object-tool: a form reduced to its pure function, free of superfluous ornament. Corbu furnished his design offices and architectural projects with Lampes Gras, and other early adopters included Eileen Gray, Man Ray and Robert Mallet-Stevens. The cast steel frames are made without screws or welded joints; all parts contribute to utmost effectiveness of the whole. Bulb (not included): LED, CFL or incandescent; E12 base; 40W max. Made in China. Materials: Cast steel body; chrome finish or matte black or white powder-coated finish; Bakelite sphere motion component. Measurements:H 22.5"–28.75" Shade Diameter 8.25" Cord L 77"

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Design Within Reach AntTM Chair with 4 Legs in Colored Ash
Design Within Reach AntTM Chair with 4 Legs in Colored Ash

Originally designed for the canteen at Novo Nordisk, an international Danish healthcare company, the Ant Chair (1952) faced an unclear future when the manufacturer expressed concern about its potential. But Arne Jacobsen believed in his product and offered to buy all the chairs if they didn’t sell. Of course, he never had to make good on that offer, as the Ant Chair quickly became an international success. Jacobsen shaped the core of Danish design identity when he accommodated three different bends in one piece of plywood, simply by narrowing the chair back. This chair is ideally suited to the human body. Its seatback has a comfortable give, and its waterfall seat edge doesn’t press into legs. Stackable up to six high. This is the authentic Ant Chair by Republic of Fritz Hansen. Made in Denmark. Colored Ash is a durable stain that keeps the wood grain visible, making each chair unique. Grey Oak is a special edition with painted oak veneer shell and steel frame with bronze finish. Materials: Pressure-molded sliced veneer shell with outer layer in lazur-painted ash or oak veneer; tubular steel frame with polished chrome or matte bronze finish. Measurements:H 31.75" W 20" D 19" Seat H 18.25"

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Design Within Reach Bertoia Two-Tone Diamond Lounge Chair with Seat Pad
Design Within Reach Bertoia Two-Tone Diamond Lounge Chair with Seat Pad

With his iconic seating collection, Harry Bertoia transformed industrial wire rods into a new furniture form. The events that made this work possible began a decade earlier at Cranbrook Academy of Art, when Bertoia met Florence Knoll (then Florence Schust). Years later, the Italian-born designer was invited to work for Florence and her husband, Hans Knoll. Bertoia was given the freedom to work on whatever suited him, without being held to a strict design agenda, and the result of this arrangement was the Bertoia Seating Collection (1952). These extremely strong yet airy chairs are sculpted out of steel rods with a delicate filigreed appearance. In his art, Bertoia experimented with open forms and metal work, and his chairs were an extension of that work. If you look at the chairs, they are mainly made of air, like sculpture, said Bertoia. Space passes through them. After designing his seating collection, Bertoia returned to focusing mostly on sculpture. This is an authentic Bertoia Diamond Lounge Chair produced by Knoll, with the Knoll logo stamped into its base. Seat pad is secured with metal snaps. Chair made in Italy; seat pad made in U.S.A. Materials: Welded steel rods; polished chrome finish with chrome connections or bonded Rilsan® finish with stainless steel connections; vinyl seat pad (65% polyester, 35% rayon). Measurements:H 30" W 33.5" D 28.25" Seat H 16.5"

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Design Within Reach NelsonTM Sunflower Clock
Design Within Reach NelsonTM Sunflower Clock

The large-scale Sunflower Clock (1958) is one of more than 150 clocks designed by George Nelson Associates for the Howard Miller Clock Company, which sold them from 1949 into the 1980s. Nelson Associates, first launched as a studio by George Nelson in 1947 in New York City, employed some of the most celebrated designers of the time, including Irving Harper, Don Chadwick and John Pile, all of whom contributed to the clocks. Until its closure in the mid-1980s, the company designed a range of products for many clients, including Herman Miller, Inc., which was established in 1923 by Howard Miller’s brother-in-law, D.J. De Pree. A bit of family history: De Pree also founded the Herman Miller Clock Company in 1926 but turned it over in 1937 to Howard, who renamed it. As for the identity of Herman Miller, he was Howard’s father and De Pree’s father-in-law. The Miller companies are not affiliated but stand across the street from one another in Zeeland, Mich. The Sunflower Clock appeared in the original Miller brochure as Model 2261. This is an authentic Nelson Clock, produced by Vitra Design Museum. Uses one AA battery (included). Made in Poland. Materials: Birch plywood; lacquered metal; high-grade quartz clockwork. Measurements:Diameter 29.5" D 3", 20 lbs.

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Design Within Reach Eames Molded Plastic Wire-Base Side Chair (DSR)
Design Within Reach Eames Molded Plastic Wire-Base Side Chair (DSR)

Charles and Ray Eames believed that design is a method of action, and they continually updated their work as new materials became available. Their Molded Plastic chairs were originally designed in metal and entered as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design. They then changed the material to fiberglass in 1950, and today the chairs are made of recyclable polypropylene. Charles was dissatisfied with the fiberglass, and it wasnt until after his death that the matte finish he desired was achieved, thanks to advances in materials. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The deep seat pocket and waterfall seat edge keep you comfortable by reducing pressure on the backs of thighs. This is an authentic chair by Herman Miller, Inc. Eames is a licensed trademark of Herman Miller. Contract quality. Made in U.S.A. DSR stands for dining height, side chair, rod base. Commonly referred to as the Eiffel chair (because of the shape of the base). Materials: Injection-molded batch-dyed recyclable polypropylene; black or white powder-coated or chrome-plated steel base; leveling floor glides. Measurements:H 31.5" W 18" D 21.5" Seat H 17.5"

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Design Within Reach Eames Molded Fiberglass Dowel-Leg Side Chair (DFSW)
Design Within Reach Eames Molded Fiberglass Dowel-Leg Side Chair (DFSW)

Charles and Ray Eames believed "design is a method of action," and they continually updated their work as new materials became available. "The chair that Charles and Ray were designing," explains grandson Eames Demetrios, "is the chair that's made tomorrow ." The duo originally designed their molded chair in metal and entered it as a prototype in MoMA's 1948 International Competition for Low-Cost Furniture Design, then refashioned it in light yet strong fiberglass just two years later. In the 1980s, after determining fiberglass production was detrimental to the environment, Herman Miller ceased production to explore more sustainable options, eventually choosing recyclable polypropylene. The company never quite forgot about fiberglass, however, and it recently began researching greener production methods. The Eames Molded Fiberglass Chair (1950) is the end result, constructed using a cleaner process but true to the original with its beloved variegated surface. This reintroduced version comes in a range of reformulated semi-gloss color pigments that faithfully reproduce the vintage ones. Its deep seat pocket and waterfall edge keep you comfortable by reducing pressure on the backs of your thighs. The seat back is left unfinished to maintain a slightly rough natural texture for easier gripping with your hands. This is an authentic Eames product by Herman Miller. Made in U.S.A. DFSW stands for dining-height fiberglass side chair with wood base. Made of 99% recyclable materials and covered by Herman Miller's take-back program for environmentally sound recycling (should you ever wish to part with this chair). Materials: Fiberglass-reinforced plastic seat; maple, walnut, ebony-stained ash or white ash dowels; black or white powder-coated wire. The process for making shells and the nature of fiberglass mean that each shell is unique and can possess traits such as tiny cavities in the surface, small points of lighter or darker color, or faint circular shadows where base attaches to shell. Measurements:H 31.75" W 18.5" D 21" Seat H 17"

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Design Within Reach Noguchi Table
Design Within Reach Noguchi Table

Following his apprenticeship with the legendary Constantin Brancusi, sculptor Isamu Noguchi began to experiment in environmental design, theatrical sets – he was the only designer that choreographer Martha Graham would work with – and, eventually, product design. He created his first furniture prototypes for Herman Miller in 1942 and went on to work with companies such as Steuben and Zenith. The Noguchi Table (1948) conceals nothing, revealing everything about the nature of simplicity. Two smoothly shaped pieces of solid wood interlock to form a tripod that supports a thick glass tabletop. The base is available in black, walnut, natural cherry and white ash, the latter of which is finished with a process that arrests the wood in its freshly cut state, resulting in a creamy white color that will not turn yellow over time. This is the authentic Noguchi Table by Herman Miller. Made in U.S.A. The configuration of this table is a registered trademark. To distinguish the real Noguchi table from the cheap knockoffs, Herman Miller has etched Noguchis signature on the longest edge of the glass top and on a medallion on the underside of the base. Materials: Solid wood base in Noguchi black, walnut, natural cherry or white ash; 0.75" thick glass. Measurements:H 15.75" W 50" D 36"

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Design Within Reach Hoffmann Armchair
Design Within Reach Hoffmann Armchair

Josef Hoffmann is well known for the simple, restrained, yet visually interesting dining chairs – several intended for cafés – that he designed early in the 20th century. The influence of the Arts and Crafts movement can be seen in his work, but Hoffmann also embraced the industrial age. Rather than rejecting traditional decoration, he succeeded in making it serve structural principles, which he believed should determine the forms of buildings, interiors and objects. Whether admiring one of his chairs or the Sanatorium Purkersdorf he designed in 1903, you can see Hoffmanns emphasis on straight, unadorned lines, characteristics that are in keeping with the style of the Viennese Secession. The Hoffmann Armchair (1925), designed in collaboration with Josef Frank, is made at the bentwood factory founded by Michael Thonet in 1861. Made in the Czech Republic. Materials: Solid European beech wood from FSC-certified sources; caned seat; water-based stain and clear varnish; nylon floor glides. Measurements:H 31.5" W 19.5" D 21" Seat H 18" Arm H 27.5"

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Design Within Reach Poet Sofa
Design Within Reach Poet Sofa

Finn Juhl designed the Poet Sofa (1941) for use in his own home, located in Charlottenlund, a rural area north of Copenhagen. Today, the Juhl house – which is an early example of open-plan design and offers views to its garden from every room – is part of the Ordrupgaard Museum. Being connected to the landscape was something that Juhl both lived and practiced, and the influence is notable in the organic forms of his furniture. Being a true sensualist, Juhl created his furniture to be comfortable, made with the best craftsmanship traditions and showing an appreciation of materials. This is the authentic Poet Sofa by Onecollection. Made in Denmark. The color combinations are: beige with teal cushion and beige tufted buttons; grey with red cushion and red tufted buttons; tan with brown cushion and brown tufted buttons; charcoal with grey cushion and grey tufted buttons. For Cream, Charcoal, Gold, Indigo and Red, the frame, cushion and buttons are all the same color. Materials: Danish beech wood, Swedish pine wood and Masonite® frame; walnut legs; web suspension; canvas-linen bottom cover; 100% recyclable Pantera foam and cotton fiber padding; hand-sewn double-stitched fabric upholstery. Beige/Teal, Charcoal/Grey and Tan/Brown: Kvadrat Divina Melange (100% wool). Cream: Kvadrat Hallingdal (70% wool, 30% viscose). Grey/Red: Kvadrat Remix (90% new worsted wool, 10% nylon). Charcoal, Gold, Indigo and Red: Kvadrat Canvas (90% wool, 10% nylon). Measurements:H 34.25" W 53.5" D 31.5" Seat H 15"

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Design Within Reach Min Bed
Design Within Reach Min Bed

DWR Exclusive Early in his career, Italian designer Luciano Bertoncini had a chance meeting with the legendary Joe Colombo, who chose one of Bertoncinis products to feature in his catalog. The exposure he received from that placement led to an invitation to contribute to the famous 1972 exhibition Italy: The New Domestic Landscape at MoMA in New York. Today, Bertoncini is a furniture designer working from his studio in Treviso, serving the needs of clients around the world. It takes a skilled designer to make a metal bed look elegant rather than institutional, and his Min Bed (2003) has been a best-selling product in our assortment since its debut. Combining high-quality materials and expert construction with a basic slat platform, the Min provides constant ventilation for your mattress (which is crucial for memory foam). Bed ships flat; simple assembly required. Made in Italy. This bed is compatible with our Sonno Mattress. Platform sits a few inches below frame. Materials: Matte or powder-coated aluminum frame; wood slats with rubber inserts; felt glides. Measurements:Twin: H 12" W 40" D 76" Platform Height 9.5" Full: H 12" W 55.5" D 76.5" Platform Height 9.5" Queen: H 12" W 63" D 82" Platform Height 9.5" King: H 12" W 78.5" D 82.5" Platform Height 9.5" Cal King: H 12" W 74.25" D 85.5" Platform Height 9.5"

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Design Within Reach Series 7TM Chair
Design Within Reach Series 7TM Chair

The Series 7 Chair (1955) debuted in Sweden at the Helsingborg exhibition of 1955, or H55. One of the most copied chairs of the modern era, it features an ideal shape for the human form, with a back that offers just the right amount of give to keep your upper body comfortable and a waterfall seat that supports your legs without pressing into them. Arne Jacobsen, instilled with a love of materials, shaped the core of Danish design identity with this chair by forming it from one piece of plywood that he cleverly narrowed in the middle to accommodate three different bends. Once painstakingly made by hand, Series 7 is now crafted using automation methods borrowed from the German car industry and monitored by a team that ensures every single chair is perfect. Suitable for commercial use. Stacks six high. This is the authentic Series 7 Chair by Republic of Fritz Hansen. Made in Denmark. Basel fabric designed by architecture firm Herzog & de Meuron. Inspired by tweed, it's hardwearing and informal yet imbued with style. Colored ash is a durable stain that keeps the wood grain visible, making each chair unique. Lacquered veneer is a glossy finish with no visible wood grain, making chairs uniform. Natural veneer also keeps the wood grain visible, making each chair unique. Nude and Merlot Lacquer are special editions that feature legs electroplated with 22-karat rose gold. Materials: Pressure-molded sliced veneer shell with outer layer in lazur-painted ash veneer, lacquered ash veneer, natural wood veneer, or upholstered in Basel fabric (90% wool, 10% nylon); tubular steel frame with chrome- or gold-plated finish. Measurements:H 32.5" W 20" D 20.5" Seat H 18.3"

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